White People Homework (1)

White People: Do the Work

As a follow up to this post, The Racist in the Classroom, I offer these resources that may help you grow and learn. Growth is uncomfortable. Growth can be filled with shame, guilt, and cringe-worthy memories. But maybe that’s just me. And I understand and accept what Jason Reynolds and Ibram X. Kendi said (paraphrasing) –this work is never done. It’s continual growth and learning. And warning: you might lose friends. You might get trolled by white ladies like this one:

This is the fifth conversation in two days where a white white woman has taken on the mantle of trolling. Circular arguments and bad-faith responses, never directly answering the question or topic at hand.
https://twitter.com/MatthewACherry/status/1267642329168400384

https://www.newyorker.com/news/q-and-a/bryan-stevenson-on-the-frustration-behind-the-george-floyd-protests?fbclid=IwAR2pzRQc39JzrF0Sdxp2OmDdnT82I2nu3HRJD92dCmawcYBBjywgBfugQP0

National Museum of African American History and Culture Releases “Talking About Race” Web Portal

Here’s the next places on my journey:

  • Finish reading White Fragility: at this point I’ve pieced together too many excerpts and need to do a deeper reading
  • Readings and study with critical race theory
  • Work with Monise S. on our indigenous studies
  • Work to find a multitude of resources to support my students and organize them to promote engagement, curiosity and purpose
  • Create curriculum for staff and students: some have already been doing this work, and some are just starting on their journey. I’ll meet them where they are.
  • Dig deep into STAMPED FROM THE BEGINNING by Dr. Kendi
  • Share a post-a-day about a resource or voice that must be heard

First assignment: understand Trump’s use of sacred religious texts and teachings to prop up and disguise his racism and violent, anti-democratic acts. Two places to start:

Do not use this to justify or state “Well, African countries had slaves, too.” Knock it off.
Understand your history of your own nation.
For ten people who want to read these books, and I know you personally, email me and I’ll buy you a copy. I’m not buying these for trolls, white supremacists, or other bad faith actors.

What did I just read?

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Note: I’m posting a few thoughts today. This blog is my pensieve. I’m struggling with writing today. This post is just a note.

This post feels like a fairy tale: not too long ago I was looking around for ways to engage my students in reading. Not just “more,” but — at all. Over the years I’ve witnessed increasing disengagement with reading. Or decreasing engagement with reading. Not sure which sounds better or is more accurate.

But reading is all I seem to do now– I read and listen to as many headlines, articles, tweets, posts, speeches, police scanners and news updates my brain can hold in a day. My skills at detecting lies, bad faith, trolling, racism, etc., have become more finely tuned and accurate. And maybe that’s why my teenage students aren’t reading as much as they used to. It’s one reason. I can point to skills-based instruction and state standardized tests that display an excerpt of text to be autopsied and dissected with no joy or meaning. Only the skills of being able to “cite evidence” or choose the best multiple choice answer. Reading, in its current state, is either boring, irrelevant, or horrifying. Because when we actually read what is under the headline, the subheads and subtexts, we find nothing of substance or nightmare fuel.

When Jennifer Binis (a fantastic writer and educational historian) said something about The Highwayman (an allusion) I became very excited. I taught that poem for years when I taught 7th grade– my husband and I were watching a Led Zeppelin concert that was filmed in 2012 and streamed this past Saturday (not sure how that wormhole of entertainment works), and “No Quarter” reminds me of The Highwayman. What I love about her comment is thinking back this may have inspired her love of close reading.

Think about this: what was the text that made you blush, take notice, think you discovered some titillating secret? Some bawdy passage or prose on your parents’ bookshelf that made you think there’s more to this reading thing than what school told you? My parents had their share of 70s trashy novels I’m sure I read, and I know my uncle stashed issues of National Lampoon I found hilarious and raunchy.

I’m not suggesting we give R rated periodicals to our students. But I am wondering if, for high school students, we share that one deeper purpose for reading is to connect to our whole self–that novels and stories we love might have romance, sexuality, and gender identities, and love? And maybe take a minute and explain the dime-store detective novel or pulp fiction? I had never heard the term “Penny Dreadful” but when I started watching the series, I looked it up and it made complete sense.

Some quick ideas for reading and writing our own “pulp fiction” — look into Film Noir, penny dreadfuls, chapbooks, etc. and write our own. Any recommendations?

PS Read Cultivating Genius by Gholdy Muhammad

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How Moderate Teachers Perpetuate Educational Oppression

This is one of the most critical think pieces on education I’ve read in a long time, published in Medium by Lisa Kelly.

A moderate teacher often uses the rhetoric of maintaining high standards without interrogating themselves â€”holding students to high standards of what? As my comrade G.T. Reyes wrote, “Educators …if you’re still asking about how to “hold students accountable,” I would suggest you first ask yourself — accountable to what? This might sound crazy to some of you, but maybe you are wanting students to be accountable to learn their place within white supremacist, capitalist schooling.” Many credentialing programs teach that it is racist to expect that black and brown children are less capable than white children, which is absolutely true. However, this doesn’t mean that the solution is to expect any student to reproduce capitalism or whiteness.

From school uniforms to accountability, how white teachers continue to uphold white supremacy and colonialism comes in wave after wave. During this time of emergency remote learning and teaching, the number of teachers who are aghast at students turning in blank documents (they did this before, by the way), terrified of students cheating, not being accountable, on and on and on…ladies: you are exhausting. And students continue to act like, well, students. The cat and mouse game of “gotcha” is part of the teacher-student dynamic: but does it have to be?

The first answer that comes to my mind would be — schooling that is centered on relationships. Not relationships that are about getting kids to like you enough to want to produce for you. But relationships built on understanding the unique humanity and the community that each child brings to education.

Every year, sometimes at several check points, I give students surveys to express and provide confidential opinions on my teaching, what they liked, what they wish would change, etc. And overarching themes emerge: they want to wear what they want, and learn about things that will empower them in the moment, in an unknown future, and that feel relevant and worth their time. (Gee, almost like this generation understands existential crisis or something.)

As I continue to grow as an educator, I am mindful that I will always need to push against racist ideas and bias. I am fortunate to have a spot on the Wednesday webinars with Jason Reynolds and Ibram X. Kendi on their collaborative book, Stamped. I am going to ask my admin if we can use this as a book study for next year: if not the entire staff, then perhaps my immediate ELA colleagues would be interested.The essential piece of all this is as we’re reimagining schools, beware of who’s trying to hold teachers “accountable” and who is building authentic relationships. Those people service in complicity to hold teachers and students accountable, too. Look for those who include teachers’ and students’ voices, who have experience in making those connections. We cannot underestimate the danger we’re in right now. And personally I am struggling to hold onto hope. As the person said in Samantha Bee’s video, I now consider myself to be, as Meehan Crist quotes, an “Undefeated Despair.”

Keep focused: what brings us to teaching, what brings children to learning, and what are the most critical things to teach? That’s it. I am thinking about entire semester of simply reading critically for argument and bias, and how to have fluency and accuracy in detecting bias and agendas. Looking forward to digging into this resource, too: https://www.theatlantic.com/magazine/archive/2020/06/qanon-nothing-can-stop-what-is-coming/610567/

PS Something that popped up from the past — it’s a charter school, but am wondering–you know–https://www.kqed.org/mindshift/47694/to-engage-students-and-teachers-treat-core-subjects-like-extracurriculars

Dismantling Essays: essays in the wild

Resources and ideas about redefining the five paragraph essay.

I have broken every single one of these rules.

In my continuing effort to change how and why teachers approach essay writing, I’ve come across some amazing resources. One of the most discussed posts was one I shared, via Sarah Donovan, via Three Teachers Talk: Three Reasons to Stop Teaching The Five Paragraph Essay .

I am a huge fan of John Warren’s writing, Why They Can’t Write: I believe it should be required reading and professional development by every high school English and History teacher (and Science, Math, PE, Orchestra, Art, etc.) for one important reason: he provides a road map to where our students are headed. If the five-paragraph essay is the only path and scaffold to instruct students on organization, we have lost our why. So, this is not a hit on the five-paragraph essay structure as much as it is a call to look closely at the why of explaining organization. Continuing the curation of mentor texts and redefining what an essay looks like is of utmost important to me. I am constantly striving to reconsider, rethink, and reflect on the practice of teaching and learning about writing.

Some of my previous posts on this topic:

Essays Revisited:

And Shawna Coppola wrote Writing Redefined (and I’m kicking my lazy, procrastinating self for not getting to my own writing book) and provided this take on multimodal learning: https://threeteacherstalk.com/2020/03/04/the-power-of-multimodal-composition/ Multimodal is my thing. Here are some more mentor text examples of essays in the wild and using multimodal pathways to redefine what an essay is:

Interactive Projects:

https://projects.seattletimes.com/2020/femicide-juarez-mexico-border/

http://projects.seattletimes.com/

https://catalyst.blackburn.ac.uk/about/

The Patron Saints of Nothing

I remember how during sophomore year, my English class read Night by Elie Wiesel while we learned about the Holocaust in World History. After we finished the book, we read the author’s Nobel Peace Prize acceptance speech. I don’t remember the exact words, but I remember how he said something about how if people don’t speak out when something wrong is happening—wherever in the world—they’re helping whoever is committing that wrong by allowing it to happen. Our class discussed the idea, and almost everyone agreed with it, even me. At least, we said we did. Never mind the fact we all knew most of us didn’t even say shit when we saw someone slap the books out of a kid’s hands in the hallway. In fact, the most outspoken supporter of the idea during the discussion was a kid who did that kind of dumb stuff all the time and thought it was hilarious.

Patron Saints of Nothing by Randy Ribay

One of the countries I know little about is the Philippines, and I’m ashamed of this. The only thing I was aware of is the death toll from Duterte’s dictatorship, a man our current “president” admires. Well, makes sense: both are vile, sexual predators with a knack for domestic terrorism. My former student teacher, L, family is from the Philippines, as are over a hundred thousand in Washington State, and during the election year her fears for her family for supporting Tr*** were well founded. In other words: there are a lot of parallels.

But we all know these aren’t abstract headlines: the terror they inflict and promote affects our students’ lives in concrete and harmful ways. However, I am not a spoiler: so no more plot points, or character analysis. I will leave you to enjoy this masterful novel. What I will do, though, is gather and curate some of the other art and poetry mentioned in the novel, so if you decide to add this to your classroom library, these resources will be available:

Artwork:

The Spoilarium by Juan Luna, 1884, National Museum of Fine Arts, Manila

National Museum: http://www.nationalmuseum.gov.ph

Books and Poetry:

A Litany for Survival by Audre Lourde

For those of us who live at the shoreline
standing upon the constant edges of decision
crucial and alone
for those of us who cannot indulge
the passing dreams of choice
who love in doorways coming and going
in the hours between dawns
looking inward and outward
at once before and after
seeking a now that can breed
futures
like bread in our children’s mouths
so their dreams will not reflect
the death of ours;

https://www.poetryfoundation.org/poems/147275/a-litany-for-survival

News Stories: (graphic imagery)

https://www.theatlantic.com/international/archive/2016/09/rodrigo-duterte-philippines-manila-drugs-davao/500756/

https://www.theguardian.com/world/2018/dec/19/dutertes-philippines-drug-war-death-toll-rises-above-5000

https://www.bbc.com/news/world-asia-48955153