Stir it up.

Oh, kids. I’m starting to sense it. It’s that time of year when you’re looking at your assignments, feeling overwhelmed, like a deer in the headlights, unable to move forward. Now to mix some metaphors: The bad habits are setting in, like early morning frost, slowly creeping in, freezing our minds, getting us stuck in fixed thinking. You’re a frozen deer in frosty headlights.  I can sense my own bad teacher habits bubbling to the surface, like so many globs of oil, getting everything filmy and gross.

I don’t want to be that kind of teacher–getting angry and frustrated. Letting the sarcastic comments slip in. I want to keep believing. Believing that you will take in what I’m saying, and what you’re saying–we talked about what makes students successful today, and come up with a pretty cool list. Two of the biggies: Read Directions and Ask Questions.

But how do you define success?

To me, success is problem solving in a creative way. Knowing when something is not working, and finding another way. Breaking a bad habit.

I believe what we’re studying right now is really interesting – I could spend a lifetime thinking about it. But I’m not Joseph Campbell. I’m not a professor in mythology and comparative religions. I can still think it’s pretty fascinating, though. But if it’s not coming through as something that’s interesting to you, we need to find another way. Creative, thinking people find a way to make what they’re learning interesting. Boring, stuck people don’t.

Look at this blog, and see if anything sparks you, or if it takes you on a reading journey across the Internet: http://www.kerismith.com/blog/ 

Make a wish...
Make a wish...

 

Let me know what happens.

Rome wasn't written about in a day…

This writer obviously had a burning question that became the focus of his life’s work. The question is: what will be your passion and focus?

From the Writer’s Almanac:

It was on this day in 1764 that Edward Gibbon (books by this author) thought up the idea of writing The Decline and Fall of the Roman Empire. His six-volume work, published between the years 1776 and 1788, covered more than a thousand years of Roman history, from 180 A.D. to the fall of Constantinople.

Gibbon wrote in his autobiography: “It was at Rome, on the fifteenth of October, 1764, as I sat musing amidst the ruins of the Capitol, while the barefooted fryers were singing Vespers in the temple of Jupiter, that the idea of writing the decline and fall of the City first started to my mind. After Rome has kindled and satisfied the enthusiasm of the Classic pilgrim, his curiosity for all meaner objects insensibly subsides.”

Rome had cast a spell on Gibbon. He wrote that he was not very “susceptible [to] enthusiasms” and never pretended to be enthusiastic when he didn’t actually feel it. “But at the distance of twenty-five years I can neither forget nor express the strong emotions which agitated my mind as I first approached and entered the Eternal City. After a sleepless night, I trod with a lofty step the ruins of the Forum; each memorable spot where Romulus stood, or Tully spoke, or Caesar fell, was at once present to my eye; and several days of intoxication were lost or enjoyed before I could descend to a cool and minute investigation.”

Gibbon became known as “the first modern historian.” He tried to write objectively, and in departure from his predecessors, he relied heavily on primary source documents rather than on secondary sources such as official Church histories. He made extensive — and eccentric — use of footnotes.

Gibbon argued that the Roman Empire’s decline and fall were a result of a couple of major factors: changing military practices and the spread of Christianity. Rome had begun outsourcing its military jobs, hiring paid mercenaries from around the world to defend the Empire, and Gibbon argued that this made them susceptible to the “barbarian invasions” to which Rome fell victim. Additionally, he argued that Christianity’s emphasis on the heavenly afterlife reduced the incentive for Romans to sacrifice for the cause of their Empire and the accompanying earthly riches and glory.

http://www.historyforkids.org/learn/romans/

Brains and Blackguards! Posthumously Humorous!

Pride and Prejudice and Zombies by Seth Graham Smith (and Jane Austen, although without her permission…maybe she’s walking around as a zombie herself right about now…), Quirk Publishers (April 2009) is so

completely

funny…but not for the faint of heart. Imagine your 12 year old brother got a hold of the classic Austen novel of social class, true love, and English countryside shenanigans and add SUPER ULTRAVIOLET BRAIN-EATING ZOMBIES. This is  no ordinary tripe.

Like all great paradies and satire, it’s only truly funny if you are in on the joke. As middle school students, it’s highly unlikely that most of you have tackled Jane Austen, a brilliant and insightful writer. But this is what you have to look forward to: the more you read, the more you understand, the more jokes you’ll get. If that’s not a great purpose for reading, then my zombie friends, you are truly walking around with your brains spilling out.

 

For more information on Jane Austen (December 16, 1775-July 18, 1817) go to this link:

http://www.pemberley.com/

You've got style, babe…

You know, my Washingtonian darlings, you won’t start school until Monday, August 31. And you will complain, although I have it on good authority you’re actually excited to be back. It’s okay. You don’t have to tell me.

Anyway, one of my favorite cousin’s sons has already started ninth grade English. I’m not sure if he’s in honors or not, but my cousin asked me if I could help him with an assignment. Apparently, his class is reading Alas, Babylon and Lord of the Flies. I have never read Alas, alas, but I am fascinated and fond of Lord of the Flies.

Lord of the Flies by William Golding
Lord of the Flies by William Golding

He asked me to help him develop questions based on stylistic elements of literature. Um, yeah. That was kind of like asking me to pull apart the richness of a thick, gooey, chocolate cake with chocolate chips, chocolate frosting, and a side of chocolate–LOTF is so rich with symbolism, motifs, allusions, allegory, foreshadowing and all-around awesomeness of writing, it’s almost impossible to pull it all apart–but not totally. This is the challenge of discussing amazing literature–novels, short stories, poetry–all deep and interesting texts that connect us as humans. Lord shows us that we, in our deepest hearts, can be cruel, savage, and bloodthirsty bullies. It also shows us that evil may take many forms, but it can be fought: when it’s left unchecked, our society and connections fall apart.

Oops. This wasn’t about me writing a thesis paper on Lord of the Flies. It was about finding and understanding literary terms, so you can apprecitate, understand, and desire reading:

Fairly comprehensive glossaries of literature terminogy: http://classiclit.about.com/od/literaryterms/Glossary_Terms.htm

http://www.virtualsalt.com/litterms.htm

Embrace your literary style.

Ooo-ooo– another literary terms website that, well, rocks: http://www.tnellen.com/cybereng/lit_terms/

Reader's Bill of Rights, and Batgirl was a librarian?

Batgirl was a librarian...who knew?
Batgirl was a librarian...who knew?

  Defend your rights as a reader! Whether or not you choose to wear a purple polyester costume and mask is entirely up to you! 

 From: The American Library Association (ALA)

Everyone has the right to read. Here’s The Reader’s Bill of Rights to help you make the most of that right: Readers have:

  1. The right to not read.
  2. The right to skip pages.
  3. The right to not finish.
  4. The right to reread.
  5. The right to read anything.
  6. The right to escapism.
  7. The right to read anywhere.
  8. The right to browse.
  9. The right to read out loud.
  10. The right not to defend your tastes.

—Pennac, Daniel, Better Than Life, Coach House Press, 1996.

I love them all, but am especially fond of #10 – the right NOT to defend your tastes…think about it – you read for your OWN LIFE, not someone else’s!

Still looking for something to read? Check out: http://www.ala.org/ala/mgrps/divs/yalsa/teenreading/trw/trw2007/booklists07.cfm

Super Circus Freak-y…

One of my former students LOVED the Cirque du Freak series, long before anyone had taken a bite out of the Twilight apple. If you check out the Dog Ear blog, she gives the trailer a mixed review, stating it gives too much of the plot away. I’ll leave that up to you to decide – remember, it’s always better to read the book first before seeing the movie anyway. The movie should just enhance what images are already in your mind. The casting director’s job is to find the best actors and actresses to portray the characters faithfully.

The movie’s release date is scheduled for October 23, 2009.

Falling Down a Rabbit Hole Near You…

“The time has come,” the Walrus said,
“To talk of many things:
Of shoes–and ships–and sealing-wax–
Of cabbages–and kings–
And why the sea is boiling hot–
And whether pigs have wings.”

Let’s talk about some other things.

I read Alice in Wonderland when I was an adult, long after seeing the Disney animated version (though it was first released in 1951, I saw it years later). I don’t know that much about Lewis Caroll, admittedly, but I do know Alice  works as a dream, as a fantasy, a stream of consciousness. It’s crazy as a Mad Hatter, and as mysteriousas a hookah-smoking caterpillar.

Before the new movie comes out, I highly recommend you read Carroll’s version of Alice, and some of his other writing. Judge for yourself whether or not a dream-like, nutty as a fruitcake story still holds up after all this time, and under Tim Burton’s masterful visionary film making (well, my opinion anyway).

Really, now you ask me,’ said Alice, very much confused, `I don’t think–‘

`Then you shouldn’t talk,’ said the Hatter.

http://www.literature.org/authors/carroll-lewis/alices-adventures-in-wonderland/

http://www.jabberwocky.com/carroll/walrus.html

http://www.sparknotes.com/lit/alice/

You really DO like to read, don't you?

Teens read more than they let on.
If you believe a scary US report, reading is on the decline. But, says Steven Johnson, it completely fails to consider the amount that we do every day on our computers.

Teenager reading a book

From The Guardian, http://www.guardian.co.uk/technology/2008/feb/07/internet.literacy

“Dawn of the Digital Natives”

The NEA makes a convincing case that young people are reading less, but it completely excludes reading done on computers

We’ve been hearing about the decline of reading for so long now that it’s amazing a contemporary teenager can even recognise a book, much less read one. The US (where I am) seems to be cycling through yet another “Johnny can’t read” mini-panic, sparked by the release of a National Endowment for the Arts study, called To Read Or Not To Read, which chronicles in exhaustive statistical detail the waning of literary culture and its dire consequences for society. Newspapers dutifully editorialised about America’s literacy crisis.

It’s the sort of “our kids in peril” story – right up there with threats of MySpace predators – that plays well as a three-minute television newsbite or a three-paragraph op-ed piece. But if you actually read the report, what you find are some startling omissions – omissions that ultimately lead to a heavily distorted view of the Google generation and its prospects.

You need to read it

The NEA makes a convincing case that both kids and adults are reading fewer books. “Non-required” reading – ie, picking up a book for the fun of it – is down 7% since 1992 for all adults, and 12% for 18-24 year olds.

The subtitle of the NEA report – A Question Of National Consequence – would lead you believe this dramatic drop must have had done significant damage to our reading proficiencies as a society. And indeed, NEA chair Dana Gioia states boldly in his introduction: “The story the data tell is simple, consistent and alarming.” But then the data turns out to be complex, inconsistent and not really that alarming at all. As Gioia puts it, in the very next sentence: “Although there has been measurable progress in recent years in reading ability at the elementary school level, all progress appears to halt as children enter their teenage years.”

What was that again? There’s measurable progress in two of the three age groups reviewed? Actually, it’s more than just measurable: if you look at the charts, the single biggest change – either positive or negative – is the spike upwards in reading abilities among nine-year-olds, which jumped seven points from 1999.

But at least there must be an “alarming” drop in reading skills among those 17-year-olds to justify this big report. And there it is: the teenagers are down five points from 1988. But wait, this is all on a scale of 0-500. If you scored it on a standard 100-point exam scale, it’s the equivalent of dropping a single point. Not exactly cause for national alarm.

And we’re comparing two different generations. Today’s teenagers are the nine-year-olds who didn’t test all that well back in 1999 – presumably because they didn’t develop a love of reading that would sustain them through the competing attractions of being a teenager in the digital age. But there’s no reason to suspect that the current crop of nine-year-olds won’t be much better at sustaining their interest in reading given their current performance.

Comparable non-events appear when you look at prose literacy levels in the adult population: in 1992, 43% of Americans read at an intermediate level; by 2003 the number was slightly higher at 44%. “Proficient” readers dropped slightly, from 15% to 13%. In other words, the distribution is basically unchanged – despite the vast influx of non-native English speakers into the US population during this period.

All of which raises an interesting question: if people are reading less, why haven’t scores dropped more dramatically? The answer gets to the most significant sleight of hand of the NEA study: its studies are heavily biased towards words on a printed page.

Odds are that you are reading these words on a computer monitor. Are you not exercising the same cognitive muscles because these words are made out of pixels and not little splotches of ink? According to the NEA you’re not, because in almost every study it cites, screen-based reading is excluded from the data. This is a preposterous omission, because of course the single most dramatic change in media habits over the past decade is the huge spike in internet activity.

Yes, we are reading in smaller bites on the screen, often switching back and forth between applications as we do it. A recent study by the British Library of onscreen research activities found that “new forms of ‘reading’ are emerging as users ‘power browse’ … ”

And of course we are writing more, and writing in public for strangers: novel readers may have declined by 10%, but the number of bloggers has gone from zero to 25 million. Simply excising screen-based reading from the study altogether is like doing a literacy survey circa 1500 and only counting the amount of time people spent reading scrolls.

All Gioia has to say about the dark matter of electronic reading is this: “Whatever the benefits of newer electronic media, they provide no measurable substitute for the intellectual and personal development initiated and sustained by frequent reading.”

Technological literacy

The only reason the intellectual benefits are not measurable is that they haven’t been measured yet. There have been almost no studies that have looked at the potential positive impact of electronic media. Certainly there is every reason to believe that technological literacy correlates strongly with professional success in the information age.

I challenge the NEA to track the economic status of obsessive novel readers and obsessive computer programmers over the next 10 years. Which group will have more professional success in this climate? Which group is more likely to found the next Google or Facebook? Which group is more likely to go from college into a job paying $80,000 (£40,600)?

But the unmeasured skills of the “digital natives” are not just about technological proficiency. One of the few groups that has looked at these issues is the Pew Research Centre, which found in a 2004 study of politics and media use: “Relying on the internet as a source of campaign information is strongly correlated with knowledge about the candidates and the campaign. This is more the case than for other types of media, even accounting for the fact that internet users generally are better educated and more interested politically. And among young people under 30, use of the internet to learn about the campaign has a greater impact on knowledge than does level of education.”

In a piece for the New Yorker, Caleb Crain manages to write several thousand words about the fate of reading in the modern age with only a few passing references to the computer screen. Unlike the NEA, he at least acknowledges the potential benefits in one brief paragraph: “The internet, happily, does not so far seem to be antagonistic to literacy. Researchers recently gave Michigan children and teenagers home computers in exchange for permission to monitor their internet use. The study found that grades and reading scores rose with the amount of time spent online.”

Screen shift

The problem with both arguments is that they’re fundamentally rehashing the technological opposition of the television age, the kind of opposition that McLuhan wrote about so powerfully back in the 1960s: word versus image, text versus screen. But that long-term decline towards a pure society of image has been reversed by the rise of digital media. What separates the Google generation from postwar generations is the shift from largely image-based passive media to largely text-based interactive media.

We don’t know exactly how that will play out in the long run, but thus far, when you look at the demographic patterns of the Google generation, there is not only no cause for alarm: in fact, there’s genuine cause for celebration. The twentysomethings in the US – the ones who spent their childhood years engaged with computers and not zoning out in front of the TV – are the least violent, the most politically engaged and the most entrepreneurial since the dawn of the television era.

But if you listen to the NEA, we are perched on the edge of a general meltdown: “The general decline in reading is not merely a cultural issue, though it has enormous consequences for literature and the other arts. It is a serious national problem.” A serious national problem with no apparent data to support it. Perhaps the scholars at the NEA should put down their novels and take some statistics classes?

· Steven Johnson is the author of Everything Bad Is Good For You: How Today’s Popular Culture Is Actually Making Us Smarter and The Ghost Map, available from guardian.co.uk/bookshop

· This article was amended on Thursday February 14 2008. The chairman of the National Endowment for the Arts is Dana Gioia, not Giola as we had it in the article above. This has been corrected.

 From: http://www.guardian.co.uk/technology/2008/feb/07/internet.literacy