Literacy Dance Party!

Hey, Summer!! Going by too fast, time to dance! Clean out the garage and DANCE!

Oh, okay, I’ll do a little writing first.

Don’t believe me, just watch!

Lisa wrote on the N&N site (and thank you!)

“Thank you for the blog post in which you explain your alliterative days of the week. (I use a similar idea in my history classes.) I now have some drill down questions: Do you read whole class novels? If you have the students write each day, how do you structure the writing? Do you fit in grammar? How do you work with such discrete topics? I find that I like a reading piece to be at the hub of class and then the spokes are the writing assignment, grammar, oral presentation, etc. What do you think?”

These questions made me realize I never stop thinking about this stuff. 

 

Whole Class Novels:

It Depends.

Usually, no. Unless you count that time I ‘jigsawed’ The Hobbit. And I will do Absolutely True Diary. I prefer to do units that serve both the Social Studies and ELA content areas, and provide multiple texts and genres to serve the unit’s demands. Rarely have I ‘taught’ a whole class novel, and I’m not sure I’ll start now.

Structure Writing:

In 2015 I participated in my second Puget Sound Writing Project invitational, which includes teacher research or action. My contribution included a question I’m still not sure how to answer, and that is, ‘if there’s close reading, can there be close writing?’ given mentor texts, etc. The Writing Thief inspired me.

Also, my writing philosophy is closely tied with my fine arts’ days — throw something down on the canvas, make a mark, and then develop. Direct instruction for writing develops from common things all middle school writers do, and then the feedback/conferencing speaks to the individual writer. I use a lot of portfolios, writing goals, genre exploration, etc. In December for the past several years we’ve done a Drabble-A-Day using a lot of image prompts, RAFTS, etc. WriteAbout is a great resource, too.

Writing Closely Prezi

https://prezi.com/embed/r64pi1l1eltr/?bgcolor=ffffff&lock_to_path=0&autoplay=0&autohide_ctrls=0&landing_data=bHVZZmNaNDBIWnNjdEVENDRhZDFNZGNIUE43MHdLNWpsdFJLb2ZHanI0c28vUG1ZTU80VGMreExSNzd3aEVGcWZBPT0&landing_sign=eKUd6zzW1T4SyAF7z6Y6x-7HjVKXEwBzQnjf0dgUTaM

Grammar:

Sometimes grammar is placed in a mini-lesson, based on things I’m noticing students doing, or not doing. This is when some stations or small group work comes in handy, or information based on exit tickets, quick quizzes, or surveys. Students will always need to know some basics:

  • Parts of speech
  • Sentence structures
  • Active v. Passive
  • Subject-verb agreement
  • Site words
  • ….feel like I’m missing, oh, say, about a hundred other things…

Grammar and writers’ craft are so closely connected, this is rich for close reading with a mentor text and discussion.

I have some book suggestions, etc. I’ll post later. I’ve been enjoying using Grammarly, too, as a way to get instant feedback that’s more precise than any Microsoft Word function.

Discrete Topics:

This is a tough one. Our ELA/SS district’s vision is all about skills. (Spontaneously starts singing Meghan Trainor’s All About The Bass in my head.) On the other hand, they’ve done a great job of providing single title novels, so if a teacher wants to teach a whole class novel she/he can. Over the years, I’ve noticed I usually don’t do a whole class novel, maybe one. Mostly I use short stories, excerpts, poetry, etc. and am heavy on the writing.

This may be the toughest to answer. In most cases, I created a unit based on Understanding by Design. This is my palette, and where my teaching creativity resides. There are enduring understandings and then essential questions that are flexible and ambiguous enough to provide multiple access points for students to construct their notions of themes and ideas. We’ve done thematic units such as Journey of the Hero, Voice, Coming of Age, etc. These units include a variety of novels for choice and instructional needs. I always go back to Lucy Calkin’s ‘Black Diamond Ski’ analogy. Read what you want, try to find a ‘just right’ book, but don’t be afraid to stretch.

These thematic units come first, and then the discrete topics help fill in the knowledge to support the big idea, so it really doesn’t matter. Or rather, that’s all that matters.

Note: this is really tough for eighth grade students. Heck, it’s tough for adults. Many of us just want the Q&A, the answer, and the points. And there is some legitimacy to this. If everything was close, deep reading and thinking and we never gave our brains a chance to be bored, or alternate in activities, well, we all know how that turned out.

Not sure if this was helpful, but gave me a great place to start. Sometimes just throwing ideas out there, asking the questions, and hearing others approaches help me the most. Any ideas you think of and want to add please go for it!

PS And now to go find book titles….

And keep dancing!

Older posts that might help:

Gluing the wings back on

National Writing Project

Stitching Together Themes

Memoir Writing Presentation:

https://prezi.com/embed/bg5c3r_akqxm/?bgcolor=ffffff&lock_to_path=0&autoplay=0&autohide_ctrls=0&landing_data=bHVZZmNaNDBIWnNjdEVENDRhZDFNZGNIUE43MHdLNWpsdFJLb2ZHanI0eXByYXNLKyt5RUs1UTJCdUFqNGhCdEFRPT0&landing_sign=tY7kBKU82H9lyz-ARV07EFuGlAm_AijL5sM0tJWZDVg

8 Days a Week

"Time Hopping"
“Time Hopping”

Let’s pretend we live in a world where no students are ever tardy, there are no altered schedules (no joke: last year there were no fewer* than eight to ten different schedules depending on whether or not it was a morning assembly, afternoon, late start, etc.) The class period is 50 minutes long, after a four-minute passing period, where all students have hydrated, taken care of bathroom necessities, and enter the classroom, crossing the threshold to a new adventure. That’s the dream. The reality is students, and teachers, are…humans. The school day feels less like a nurtured, creative maze and more like a gauntlet. The big question on the Notice & Note site is a pragmatic and all-too-real scenario: just how do we teachers use our time with students to maximize learning, growth, and engagement? Perhaps this is the only pedagogical question worth asking.

Last year I had the pleasure of having block classes: I taught Humanities, and at that my 75 minutes was squeezed. Whereas a science or a math teacher has the science and math standards, which are abundant and demanding, ELA/SS has a complex web of standards, so ‘two content areas in one.’  I loved it, though, and knew when I let go of that teaching assignment to return to 8th grade, that was a teaching luxury that proves to be difficult to relinquish. But I did it for years, and can figure out how to refine it and make it work again.

If a student’s day is their personal journey of the hero, then the first step is to get them to cross that threshold. I try to create and embed routines, as well as design and decorate my classroom so it feels ‘other worldly.’ And like the flight attendant speech we’ve all learned to ignore after years of travel, I don’t hesitate to remind and refresh students about those routines.

When planning the scope/sequence of the year, I go big picture/thematic to monthly, to weekly, to daily. For years, I tried this:

Metacognition Monday: focus on reading through a lens, discuss fix-up strategies, usually a passage intended for Talk Tuesdays.

Talk Tuesdays: just like it says — small group discussions, possibly Socratic Seminars, etc.

Write It Right Wednesdays: focus on a writing skill, genre, concepts –mini lessons. I try to write every single class period.

Thematic Thursdays: this one is less constrained — perhaps a concept discussion, literary elements, big question/burning question concepts, read aloud, connect with film for Film Friday, other texts that connect, media pairings, etc.

Film Fridays (Friday Fives are also due on Friday –five vocabulary words) Film Fridays are not guaranteed, but usually a short film from Vimeo, StoryCorp, TedTalk, etc. I have a list of tens of short films and am shark-like in my never sleeping hunt for great little shorts. For these films, often I’ll use a Levels of Questions graphic organizer or What It Says graphic organizer; sometimes, *shrug* I just let us enjoy the film.

One big change for this year is instead of a standard entry task, which isn’t time-cost beneficial, I’m switching to ten minutes of reading. How we as a class will manage and use that ten minutes for The Book Whisperer’s challenge is to be determined.

A caution: one year, someone from the district needed me to change my and my students’ routine based on her scheduling needs, and I realize I must have seemed inflexible. The thing is, though, especially for a high-impact, high-poverty school, is that many students have too much chaos in their lives, and the routines of school are safe and necessary. Never apologize if your classroom timeframe is what’s best for students. Ever. I just saw a student who’s just graduated from college, and I asked him what he remembers, and he was clear: how I made them feel supported. I was honest and supported them emotionally.

I guess the point is — and the only wobbly advice — it’s your job/life — how do you want to construct your day? How do you want to feel after every class? And before the next one? I’ve adjusted my time talking, and when I do need to impart information, make it very clear on how long I’ll talk, and keep my word. (No pun intended.) Like backwards design, consider what are the essential elements you want your students to keep and sustain their learning? The answers on how to schedule your, and their time, will become clearer. I have to pack a lot into those 50 minutes: I don’t assign homework but try to do flipped lessons that don’t depend on internet service, as many of my students don’t have access. I’m going to have to get real creative and resourceful this next year, and I’ll share this challenge with my students. The more they see that I’m thinking about them, respecting their time, and honoring their commitment to learning, the more it fosters engagement.

Like ‘backward design,’ consider what are the essential elements you want your students to keep and sustain their learning? The answers on how to schedule your, and their time, will become clearer. I have to pack a lot into those 50 minutes: I don’t assign homework but try to do flipped lessons that don’t depend on internet service, as many of my students don’t have access. I’m going to have to get real creative and resourceful this next year, and I’ll share this challenge with my students. The more they see that I’m thinking about them, respecting their time, and honoring their commitment to learning, the more it fosters engagement.

Look to Pernille Ripp for more ideas on how to manage the hardest thing of all: time.

Someone also posted Kelly Gallagher’s suggestion on how to use time: (click to enlarge)

kelly time schedule
This may not work for you or your students.

 

 

*Always trying to brush up on my grammar. And I have a nerd crush on Grammar Girl.

Some resources:

http://readingandwritingproject.org

http://www.kellygallagher.org/instructional-videos/

Chivalry isn't dead.

galahad

Here is my attempt to help students using the Notice and Note strategies for one of my favorite short stories, ‘Chivalry‘ by Neil Gaiman.

 

N&N

Or:

n and n pinterest

Wait, you know what? I think you might enjoy doing this yourself. I don’t want to spoil the story for you.

I believe there is an example of every signpost in this story. Read it out loud to your students in your best English accent (if you don’t have one already). Enjoy.

This book of short stories is well worth it:

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#TRL

book and earth

Books/Text Recommendations

A Curated, But Never Complete, List

The focus is primarily 6th grade +: if you have recommendations for elementary school age children, please comment!

Make a list. Focus. Read the text/novels/stories first. Make notes. Next discussion: genres.

Rinse. Repeat.

Nine Websites for Readers

Some Favorite Book Club Books for Middle School

Common Lit

Actively Learn

NewsELA

Mackinvia

Artifact App

TeenReads

Smithsonian Magazine

This American Life

Storycorp

The Moth

RadioDiaries

Radiolab

Snap Judgment

 

And bonus points superstar awesome-sauce!

https://docs.google.com/document/d/1IUfIFbjOsEL292XtDIU4H4EjXkNDIris6idhnJYF-cQ/edit

Moving through summer…

I wish I could say this post is urgent, but alas, I know the truth: I’m avoiding ‘real’ summer work– the projects and ideas that are supposed to rejuvenate me and get back in touch with my ‘real’ self. So here’s a deal: I’ll write this post, and then go do something. Maybe take the dog for a walk. Maybe organize my jewelry box. Or go find some Pokemon. Who knows? The world is wide open. And gotta catch ’em all.

When the school year starts again, it’s closed, boxed, a hedge maze of navigating rules and schedules. And consistently over the years I’ve tried to shape and refine my teaching practices. Sometimes those practices come at the will of administration and changing district policies, but all in all, I know those are in alignment with my personal teaching values more than ever, and truth be told I am feeling a great confidence of agency. As long as I can honestly say what I’m doing is in the best interest of students as my litmus test, then every decision holds integrity and intention.

The “A” Word

One such is the notion that teachers grade everything. We’ve gotten in this feedback loop of complaining about when students aren’t motivated, even for grades, and then use too many sticks and run out of carrots. In this post about accountability, I should have said ‘punitive’ — but was trying to be too soft-edged, I suppose. I am really starting to dislike the word ‘accountable,’ and I know that bias is all mine. Accountability is an accountant, a bean-counter, a points-shiny-stars-gamificationated-hoop-jumping word. Please– any other word but ‘accountable.’ If, in my book club, the other ladies said, “we are going to hold you accountable for reading all the books” I’d be so out of there my wine glass would shatter from the squealing of tires. We read each other’s book choices because we get to discuss things with those of various points of view. And there are snacks.

The conversation became a bit derailed, but no matter. That's what we teachers do -- talk about it!
The conversation became a bit derailed, but no matter. That’s what we teachers do — talk about it!

The question became side-tracked, naturally. And that’s fine. Let me see if I can get this back on point: the 40 book challenge is meant to create readers. There are multiple ways for students to share what they’ve read.

The post I linked above says many things, but mainly this:

An unfamiliar parent emailed me to complain. She tracked me down on the Internet after asking her son’s teacher about the “outrageous requirement” that students read 40 books and complete 40 book reports this school year. Her son’s teacher said the assignment was based on my work, and this upset mom wanted me to know that I was hurting her son. I responded that while I expect my students to read 40 books, I don’t tie any assignments or grades to this expectation.

Consider this: when doing something like a 40-book challenge, weave in the next two concepts about technology and grading policies. Consider carefully what the goal is. It takes students some getting used to doing something because it’s amazing. Maybe I can do a mash-up between books and Pokemon? Wait, what am I saying?!

Technology:

If you want to know exactly how to best use technology for any student, underserved or not, read this article by Molly B. Zielezinski @mollybullock. What a Decade of Education Research Tells Us About Technology in the Hands of Underserved StudentsThe article provides clear constructs for how to use technology in the classroom. 

Grading Policies

Hope. It’s all about hope. 

Do No Harm: Flexible and Smart Grading Policies by Andrew Miller. Our new admin had their plates full last year; I wonder if a discussion about grading policies will hit the meetings this year? I hope so. As a staff, learning new ways to grade and assess effectively and meaningfully would sure go a long way to help our students we serve. I had a great conservation about grading policies in Twitter at #edchat the other day. It’s on everyone’s minds, and something that the current grading software programs we use don’t provide much in terms of true reflection of growth or stagnation, for that matter. I am going to integrate Miller’s ideas in with my syllabus for this year, along with some of the grading policies and explanations for parents.

Tardy Slips

This is one of those issues I didn’t think was a big deal until I encountered an interpretation I had never considered before. If a student is talking to another teacher, and receives a late pass, but another teacher still marks them down tardy as his/her only means of showing that the student missed instruction, what is the point of this? If a teacher’s class runs over a few minutes, and then asks that those students are not marked tardy, why wouldn’t people honor that? Perhaps, like the word accountable, there needs to be different shades of meaning: if a student is clearly hanging out in the bathroom avoiding class, then yes, tardy. But for those times where students need to confer with a teacher for a few minutes, but another teacher needs to show that they missed the entry task, perhaps a ‘conference’ demarkation would be a good idea? That way they’re not punished or disciplined in any way, and it shows that the student was attempting to get clarification on something, and allows for flexibility for the entire staff.

Rethinking Everything

Many teachers are going to have a hard time with some of the new Washington State guidelines regarding discipline and suspensions. 

Good.

If we truly want this school-to-prison pipeline to be shut down, it’s time.

And now to go read more Nikki Giovanni poetry.
And now to go read more Nikki Giovanni poetry.

Well, I made a deal. This post is done. Time to honor summer again. I felt as if I haven’t gotten anything done, or accomplished, but that’s not true. I made this, and others are going to share it. I hope you will, too.

 

Match up: texts, teachers, and students

The back of the cereal box of our times?
The back of the cereal box of our times?

This morning I promised myself not to touch either hand-held device, my cell phone or i-Pad, for at least five hours today. So far, so good. Lately I’ve acquired the odd habit of setting up arbitrary goals for myself, little mind games where only I know the rules. For example, in June, I told myself ‘no beer for a year.’ I really like beer, and though not trying to punish myself, just wanted to see if I could do it. Last night it got a little tricky because all I wanted to do was go out for a beer and nachos with my hubby, and instead we went through Dairy Queen drive-through and I traded a beer for a Peanut Buster Parfait. I have about one to two of those a year, so I guess I met my quota. Dang, it’s only July, too.

The other goal I set for myself was to try to do Camp NaNoWrMo. It’s July 7, and that means 6 days of only blog writing, which “doesn’t count.” All that’s happened is I am acutely aware that I haven’t written any drafts of fictional substance for months, and I’m overthinking everything. Too distracted, too grumpy, too much caffeine and not enough water. Focus, woman! Focus!

//giphy.com/embed/48zjXYRwBg5IQ

via GIPHY

This post is born of the fantastic Facebook pages/groups I’m honored to be in, specifically Notice & Note. Subscribers/members tend to post two types of questions: ‘What are some good text suggestions for X age group/Y skill or literary device,’ and ‘Does anyone have any suggestions on how to track student growth?’ I’ve already explored my plans for The Book Whisperer’s ideas, and am very excited about the how/why.

Now for the ‘what.’

I can’t read anymore. If a real, paper and bone book is in my hands, I have misplaced my reading glasses, or the light’s too far away, or I can’t get comfortable. If the text is on my Kindle, no problem, except something is kind of broken right now in my reader brain. Perhaps the paradox of choice is hitting me. I have too many unread books. Or perhaps it’s related to the ideas in this article, Why Can’t We Read Anymore by Hugh McGuire . And now I realize when I was gaming too much or flitting between devices, my brain seduced my actions with dopamine:

So, every new email you get gives you a little flood of dopamine. Every little flood of dopamine reinforces your brain’s memory that checking email gives a flood of dopamine. And our brains are programmed to seek out things that will give us little floods of dopamine. Further, these patterns of behaviour start creating neural pathways, so that they become unconscious habits: Work on something important, brain itch, check email, dopamine, refresh,dopamine, check Twitter, dopamine, back to work. Over and over, and each time the habit becomes more ingrained in the actual structures of our brains.

How can books compete?

Well, this blunt and honest conversation will take place at the beginning of my school year with students, that is what digitalization has done to their brains. All of our brains. Last year, my students who were readers were the ones who tended not to have a lot of television or screen time (remember those hippie parents, back in the day? Who didn’t have TVs? I gasped in bewildered horror anytime I came across a situation like that.)

Is the same thing happening to (other) teachers? Are teachers just not reading as much as they used to, grabbing a few YA novels or short stories, and curating them for themselves? Or it is just a means to share tried and true texts with one another? Probably the latter. But there may be some instances where it’s the former, or perhaps I’m projecting my own failings.

novels

I have my list of books/stories to share. I have an extensive classroom library, both hard copy and digital. There are apps and sites galore to help teachers find texts. There are news outlets, story sites, like This American Life, Storycorp, The Moth, Radiolab, etc. to explore, to name a few. It would take a lifetime to read or listen to all the infinite stories. Sites like Artifact App and CommonLit help educators ask the essential questions to guide reading, too. And there are still libraries, with real librarians, who love nothing more than to talk and share ideas about texts. But that involves getting out of my bathrobe and the house. Hmmm. Tough call. (Oh, like you’ve never hung out in your robe until 1PM on summer break!)

 

Artifact App
Artifact App

 

So what are we teachers looking for when we ask others about text suggestions? We’re looking the same things as when we recommend books to other adults. We want something relevant, that may speak to us, that we can find some universal truth, or help us connect. And this is where the digital dopamine can’t help us: texts, be they on the screen or paper, give us a much more powerful sensation than digital ones. Helping students understand these important brain functions will help them understand when a person hurts them on line, it feels real because our brains don’t know the difference. We want to share stories, and that drive gives me hope, for my students, and for myself.

McGuire writes:

I am reading books now more than I have in years. I have more energy, and more focus than I’ve had for ages. I have not fully conquered my digital dopamine addiction, though, but it’s getting there. I think reading books is helping me retrain my mind for focus.

While on the hunt for great texts, I plan on using my powers of digital organization and keep track, make a list, and add notes. But for the moment, I’m just going to make a sandwich.

 

 

 

 

Read the book, dummy.

 

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Noticed:

I belong to the Notice & Note Facebook group, and it’s marvelous. Teachers helping other teachers, all grade levels (but predominately K-8), finding books, helping with lessons/units, etc. The big focus is on Kylene Beer’s and Robert Probst’s new book, Reading Nonfiction: Notice and Note Stances, Signposts, and Strategies. I haven’t had a chance to read it yet, and therefore embarrassed myself a bit by one of my questions in a post. A teacher named Lisa Roth put together this PowerPoint intended to share with staff. (I hope she doesn’t mind if I link it here: if yes, I’ll take it down post haste.)

While reading through her presentation, what caught my eye was the idea that ancient stories or ‘campfire stories’ are nonfiction. Campfire and ancient stories are something I’m very familiar with, having created units on early human story telling for 8th grade, that ties in with the World Studies history. At least I thought I was an expert, but according to Beers and Probst, campfire stories are non-fiction. I asked for clarification, and Roth’s interpretation of N&N Nonfiction makes sense: those stories were meant to inform. Yes, they were. They were origin stories, creation stories, explanations for the beginnings and the endings of things. That makes sense. But–and here is where I ran out and clicked on the book link to buy it–I can imagine teaching the context of genre and how genre shifts with new knowledge is going to be critical.

But before a rush to judgment, I will be reading with a lens that my personal theory is not all campfire stories were meant to inform. Or rather, humans didn’t need to hear and share stories with pure entertainment and escapism value. Nonfiction connotes such dryness for me, and that’s wrong. And I am going to check my bias, because more likely than not, my students believe stories as if they were factual, and it’s time to deconstruct that notion. Think about it: urban legends, social media comments, texts –they are not meant to entertain, but to state opinions as facts.

I remember when introducing Greek/Roman mythology trying to put it in context for students, and dancing around a theological line: these gods and goddess died because no (human) believed in them anymore, but at the time, the cultural belief system was as strong as any current religion today. Some students, occasionally, would suggest we bring back Zeus and Hera.

Perhaps there is another word, a portmanteau, that integrates fiction and nonfiction: truthiction? Stories intended to inform but are based on limited knowledge? Maybe I’ll leave that one up to my students next year to discuss and decide. Yes, I think that’s best.

Here is a better idea: if stories are meant to inform, enlighten, or motivate, then perhaps a unit on civic engagement is in order:

Summer Readings to Inspire Teachers about Project Based Learning with Civic Engagement by Steven Zemelman

So while I’m waiting for my copy of Notice & Note, Nonfiction version, I’ll be brushing up on my legends and mythology, and continue to dig out the truths in those stories.

If you’d like some dedicated nonfiction articles about storytelling and ancient humans, here are some links:

http://www.sciencemag.org/news/2014/09/ancient-campfires-led-rise-storytelling

http://www.smithsonianmag.com/smart-news/late-night-conversations-around-fire-might-have-shaped-early-human-cognition-and-culture-180952790/?no-ist

Oh, and I started a Youtube Channel:

love youtube channel

 

Allow me to demonstrate…

IMG_2883
Original Art by Tyson

Most school districts are out for the summer. Do you know why we have summer break? The myth is because we were once an agrarian society, but alas, it is more akin to our consumer society, (myself included), and schools are just too dang hot in the summer months. A few weekends ago my areas saw temperatures in the 90s, although this weekend it’s back to cool and  cloudy. Just in time to sit in a breezy amphitheatre to watch graduation ceremonies.

So–my post may be a little late. This is one of those end-of-school-year projects (and I use the word project loosely) you may want to tuck away from next year, including the beginning of the year as an ice breaker. It’s not original, and depending on your class structure and community, may fly or flop. That’s immaterial, however. It’s the “Demonstration” project.

This took over three block classes:

  1. Preparation:
    • Students brainstorm what they are good at and could demonstrate
    • Students could have an ‘assistant’ but not a partner– individual grades. Their assistants were just that — an extra pair of hands, etc.
    • Some students used their time to research quick and easy things to demonstrate.
  2. Rehearsal:
    • Rehearsal, filming, backdrops, screencastings
    • Students produced a wide variety of demonstrations: everything from card tricks, ‘how to draw’  certain things, how to hack a game (with screencastings).
    • Make sure they use a time device to track to ensure 2 minutes in length.
  3. Finally: presentation day!
    • All backdrops and videos are ready to go
    • Students named are called in order

What goes wrong:

Namely, student egos.

I have one student who is unaware of how much he mocks others. He made one comment before a student showed his demonstration, and the presenter came up to me and asked if he could drop out seconds before, all because of this one comment. This is one of those things where no matter how much you prep students, “tell” them what to do or not to do as audience members, there is always one who doesn’t get it. I even had one student who packed up early because another teacher has put the fear of being tardy so deep in their psyches, (and this colleague does not support one or two minutes of being late if something runs long) she packed up before the last presenter got to present.

Timing, too: it was clear students did not use any timing device to time their presentations, so some didn’t get a chance. That was a relief for some, but quite frankly, when those who are hesitant to present see that others jump right in, it bolsters all.

One schadenfreude moment for me came when one student had clear instructions for a fortune teller paper-folding demonstration, and the audience was quite squirrely. This young lady has, on occasion, disrupted the class herself with her dabbing at Youtube videos. It’s the thing this year, suddenly seeing children tucking their faces in their arms, whilst throwing the other one to the sky, like a choreographed sneeze. I looked at her and asked, “It’s not that easy, is it?” She nodded.

What goes right:

Far more than what goes wrong. Students participated, threw paper airplanes, danced, clapped along, etc. The card and magic tricks still have me mystified (but then again it doesn’t take much). One student demonstrated how to push a needle through a balloon without popping it. One boy demonstrated lacrosse, while another hockey stick handling. Yes, I even had the inevitable ‘how to tie shoes’ but hey, if that can be a TedTalk, it’s certainly appropriate for seventh-grade students.

What would I do differently: 

  • Start earlier in the year.
  • Intersperse humorous ‘how to-s’ throughout the year.
  • Have a rubric.
  • Have them brainstorm a list of ideas for the whole class.
  • PRACTICE NOT BEING A JERK. (You know who you are.)
  • Possibly put the best ones on a classroom blog….hmmm…..gives me an idea!

Well, onward. We have until next Friday, and I’m taking discretionary days for my son’s graduation.

PS The above illustration was a result of how to make a face from words, in this case the word “boy.”

PPS The best performance? A very wonderful young lady who has a soul and heart as open as the sky, who performed, in costume, the fluffy pink unicorn dance.

Adore that girl.

 

Whisper and Shout

TL:DR –what I’m going to use from Miller’s The Book Whisperer.

Free choice. Free choice. Free choice.

I may need to take a little break from the Notice and Note Facebook group. Don’t misunderstand me–it’s a kind, forgiving, supportive, and collegial place. Teachers reaching out to one another for advice, sharing ideas and lessons; it’s wonderful and sweet.

But…

…when they speak of Donalyn Miller’s The Book Whisperer some teachers still speak the words “accountable” and “tracking.” I wonder if they read the same book I did. Many of Miller’s ideas I’ve done on my own, and it was validating to know much of her growth and process has mirrored my own. However, I am nowhere near getting students to read 40 books in a school year, but I’ll be darned if I’m not going to try.

But a few things seemed to be misconstrued by Miller, too: namely, novel units/studies and workshops.

With a workshop structure in place, my students were more engaged in reading and writing and more enthusiastic. Instead of teaching books, I taught comprehension strategies and literary elements that students could apply to a wide range of texts. I implemented the reader’s notebook, taken straight from Fountas and Pinnell’s model, in order to manage my students’ independent reading; set up reading requirements for my students based on genre as a path to choice; and assigned book talks to replace the dreaded book report. I photocopied mountains of reading strategy worksheets, lists of reading response prompts, and workshop management forms. I bought every picture book that my workshop mentors recommended.

Miller, Donalyn (2010-01-12). The Book Whisperer: Awakening the Inner Reader in Every Child (Kindle Locations 374-378). Wiley. Kindle Edition.

Novel units were my bread and butter; now I’m going to take myself to task. Perhaps those novel units I crafted so beautifully, with artisan mastery, were for my own occupational therapy. We teachers do that sometimes, you know– give ourselves a goal in order to gain new understanding. To my credit and my mentor’s guidance. novel units were not based on single-title studies, but multiple books at various reading levels, interests, etc., based on enduring understandings and essential questions.

And as I read this passage about ‘mountains of reading response prompts,’ on Notice and Note someone shared a .pdf of this exact thing.

Where is the disconnect?

How do we go through teaching texts and determine what will be valuable in our practice, and what to disregard?

One thing I plan on doing is changing the entry task:

Take a look at a common classroom warm-up lesson: students are asked to look for grammatical and punctuation errors in a scripted sentence. Correcting the sentence may take five minutes. Discussing their corrections with students and providing feedback might take another ten minutes. Considering how little of this direct grammar instruction actually transfers to students’ writing (Alsup & Bush, 2003; Thomas & Tchudi, 1999; and Weaver, 1996), these fifteen minutes would be better spent reading, an activity that has been shown to improve students’ writing and grammar (Elley, 1991, cited in Krashen, 2004). With instructional time at a premium in every classroom, we cannot afford to waste any of it. Research has confirmed that independent reading is the better use of our time. Students in my class enter my classroom each day, get out their books, and start reading. Not only are students quiet and working (the implicit goal of all warm-up activities), but they are engaged in a productive endeavor that improves their reading performance. The amount of time I save by not having to plan and grade ineffective warm-up drills is icing on the cake. My intention is not to disparage the activities that you may use as class openers; some of them may have instructional value, but I challenge you to find anything that has more impact on reading achievement than independent reading. We teachers have more than enough anecdotal evidence that the students who read the most are the best spellers, writers, and thinkers. No exercise gives more instructional bang for the buck than reading. The added bonus for us teachers? I have found that independent reading is also among the easiest instructional practices to plan, model, and implement.

Miller, Donalyn (2010-01-12). The Book Whisperer: Awakening the Inner Reader in Every Child (Kindle Locations 816-829). Wiley. Kindle Edition.

The other thing is share reader’s notebook. I buy each of them a composition notebook, and will continue to model its use:

• Create your own reader’s notebook: At the start of each year, when my students are trimming and gluing their own reader’s notebooks, I make a new one for myself. I record all of the books I have read or abandoned for an entire year in one notebook, just like I ask my students to do. Each notebook serves as a record of what I have read over the years, and I use my reading lists to order books for the class library or make recommendations to my students and friends. Reflect on what you are reading: I am not suggesting that you write summaries of every book you read or your personal responses to them, but you can, if you would like to. Think about what you are reading, and observe what you like about the book or what you don’t like about it. What makes it challenging or fun to read? What sticks with you about the book when you are done?

Miller, Donalyn (2010-01-12). The Book Whisperer: Awakening the Inner Reader in Every Child (Kindle Locations 1716-1722). Wiley. Kindle Edition.

Rethinking the whole-class novel. I am making no apologies for trying to jigsaw The Hobbit. But we currently have many single-title books, and now I have to consider how to use the titles in a meanginful way, or if at all.

• Laboring over a novel reduces comprehension. Breaking books into chapter-sized bites makes it harder for students to fall into a story. Few readers outside of school engage in such a piecemeal manner of reading. • Not enough time is spent reading. Many novel units are stuffed with what Lucy Calkins calls “literature-based arts and crafts,” extensions and fun activities that are meant to engage students but suck up time in which students could be reading or writing. • Whole-class novels ignore students’ interest in what they like to read. Reading becomes an exercise in what the teacher expects you to get out of the book they chose for you, a surefire way to kill internal motivation to read. • Whole-class novels devalue prior reading experience. What about the students who have already read the book? Admittedly, this may be a small number of readers, but I have sixth graders who have already read To Kill a Mockingbird and The Outsiders— two books that I know are taught in upper grades. Are they going to be expected to read them again? Advanced readers deserve the opportunity to continue their growth as readers, too. Yes, students benefit from the deep analysis of literature that a thorough look at one book provides, but there needs to be a balance between picking a book apart to examine its insides and experiencing the totality of what a book offers. There are other paths to teaching critical analysis and reading skills than belaboring one book for weeks. Let’s not lose sight of our greater goal: inspiring students to read over the long haul. Alternative: Rethinking the Whole-Class Novel My first suggestion on the topic of whole-class novels would be to evaluate whether you are truly required to read certain texts with your students or whether this is just a tradition. When your department has invested budget money and time in a closetful of whole-class novel sets, it is hard to break away from the entrenched attitude that reading the same book across the grade level is the best instruction for students.

Miller, Donalyn (2010-01-12). The Book Whisperer: Awakening the Inner Reader in Every Child (Kindle Locations 1804-1822). Wiley. Kindle Edition.

Speaking to that, I’ll continue my use of short stories, etc. to teach.

Use short stories, excerpts, or poems to teach literary elements or reading skills, and ask students to apply their understanding to their independent books. Using an instructional sequence of modeling, shared practice, and independent practice, what I model and practice with students always ends with application of a skill or evaluation of a concept, using their self-selected books.

Miller, Donalyn (2010-01-12). The Book Whisperer: Awakening the Inner Reader in Every Child (Kindle Locations 1876-1879). Wiley. Kindle Edition.

Now — if you still need a way to have students show and share their books, Miller offers plenty of alternatives to book reports or talks. I’ve done these myself, and heartened by her claims will refine my Reading Road Trip student blog for next year. The students are still too interested in “how many points is this worth?” That’s a conversation for another time.

One last thing: I am in a grown-up book club. No one read my book recommendation, So You’ve Been Publically Shamed by Jon Ronson. One woman did end up reading my other recommendation, The Psychopath Test, but this crowd is just not into the same things I am. It’s getting kind of rough. They love romances and sagas, like The Boys in the Boat by Daniel James Brown. I jokingly said our book club could be renamed to the Not Read Book Club. They tend to like bestsellers, self-helpy kind of books. But I do like the company, and we always have good talks. Finding out why people don’t read a book is sometimes more revealing than why they do.

P.S. If you’re looking for thematic books for units of study, resources abound. For example, if you want students to read about Scientists’ Struggles, click here for titles.

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Duly noted.

einstein-desk-662x614

No lie: just spent 15 minutes trying to find an article I read about annotating that was so perfect, so clear and meaningful surely I bookmarked it, saved it, so it could be easily digitally retrieved upon demand. Nope. Can’t find it. My digital life is too messy, too cluttered to find anything easily. So, I’ll cut my losses and just post what I did find.

From Why You Should Have a Messy Desk
From Why You Should Have a Messy Desk

But this isn’t about my messiness; it’s about annotating as a means to curation. What are some tools to promote annotating media in order to create mentorship, ownership, and reach the ultimate rung on the taxonomy scale: creativity?

OH MY GOSH I FOUND IT! (See? If I just hung out in my bathrobe and drank cold coffee long enough, I knew I could conjure information!)

Documenting Learning https://usergeneratededucation.wordpress.com/2016/04/08/documenting-learning/

documenting-for-as-learning-tolisano2

 

Digital Annotations:

Software folks are coming out with ways to annotate on-line. I’ve found two:

Genius: http://genius.com

Genius can be a little….dodgy. It combines a social media context as well as pure annotations. Not for the faint of heart.

Scrible:

https://www.scrible.com/

Scrible is in beta, and so far I think it’s great.

Thinglink also grand fun.

Obviously, Google has options, but until I can figure out how to share things and not have YoloSwag69 make a mess out of shared documents, I’ve shied away from those.

Here’s a Prezi I put together a few months ago. It could use an update.

https://prezi.com/embed/cjyazjyaasbe/?bgcolor=ffffff&lock_to_path=0&autoplay=0&autohide_ctrls=0&landing_data=bHVZZmNaNDBIWnNjdEVENDRhZDFNZGNIUE43MHdLNWpsdFJLb2ZHanI5ejdzbmNMY0NiNHhhMk9vUEVtMVFVd053PT0&landing_sign=1FCegdPpqowuIvULuroaoGgsbbeLFNqrAU6JnWNC4Ac

In the classroom:

Poetry: New Hope
Poetry: New Hope

Showing thinking and participating together is always fun. (And I am envious of this teacher’s amazing board handwriting…!)

Apps

These are some I am going to test soon:

Orion Markup: https://itunes.apple.com/us/app/orion-markup-image-notes-annotations/id1014671845?mt=12

Annotations: https://itunes.apple.com/us/app/annotations/id885557228?mt=12

Deskscribble: https://itunes.apple.com/us/app/deskscribble/id422170726?mt=12

There are many, too many to list, in terms of screencasts, annotations on screen, capturing, photography and text mash-ups, but I will always love WordSwag and Skitch:

IMG_0348

This article has a comprehensive list of How Annotation Reshapes Student Reading. Read it, print it out, turn it into a rubric/student reflection sheet. As always, ThreeTeachersTalk provide great information.provide great information.

Postscript: Been doing some research on apps that read aloud, or will help some of my struggling readers. If it’s tough to read, it’s tough to annotate.

Read4Me

https://itunes.apple.com/us/app/read4me/id402454684?mt=12

VoiceDream

http://www.voicedream.com

FreeSpeech

https://itunes.apple.com/us/app/freespeech-build-language/id1089150955?mt=12

And random acts of creativity:

http://www.abandonedamerica.us

http://www.buzzfeed.com/danieldalton/urban-exploration-photography#.fwZe8NDzo

http://www.huffingtonpost.com/entry/abandoned-places_us_55e76c3ae4b0c818f61a89eb

http://mentalfloss.com/article/65567/26-breathtaking-pictures-abandoned-and-forgotten-places