the year that wasn’t (1) and what might be (2)

A look back on last year, and how I can remember what I learned and grow.

I have a new gig, one I’m excited about. My feelings and response to the next phase are filled with gratitude. Closure, however, is healthy. Some of the things that happened this past year act as a wedge, preventing the door from fully closing.

The year began so positively:

What went wrong? (and what can go right)

Evaluation biases: Someday I may obtain my administration credentials. Not sure if I want to be a building principal; however, when a colleague who’s older and mostly certainly wiser than I told me she saw me in that role, and how good I would be, I took notice. She said I had a way of understanding how to support teachers and students alike. Maybe I am couching this next bit, or hesitating to sound too critical versus a critique, and there is a tinge of fraudulent intent in this next piece: my evaluator this year struggled with the evaluation process and her own newness in administration. Her understanding of the process came from last year’s work where, in her opinion, many teachers in the building received inflated “Distinguished” ratings, and she could not justify Proficient or Distinguished ratings when the school’s test scores were (and remain) low. And though I provided ample evidence and coding about practice, we never spoke to those artifacts or evidence in our discussions. At one point, we union representatives invited an HR representative to our building to discuss, with transparency and objectivity, how the evaluation systems are to be handled. I have yet to get a definitive answer why this didn’t happen, and we were sent an email instead. There is that old joke about meetings that would be better in an email, but this wasn’t one of them. The staff needed to hear directly from him how the evaluation system works. It is very similar to how my previous district handled it (the protocols) and yet in practice, in the building, became a professional boondoggle. For next year: over the summer, one area of practice is to create a means for my own style of work that combines the evaluation system and solid pedagogy. I’ll share. The current evaluation system and how it can be mishandled and weaponized is a hill I will die on. I believe it we can do better to create better teachers and learning.

Note to self: keep track of lessons and artifacts for the TPEP evaluation for next year. Keep a journal of practice, and strive for personal objectivity and reflection.

Building: The space is old. Decrepit, even. I didn’t realize how much that would affect me. The previous building was also old, but had been remodeled and updated. Now I understand how children around the country feel about the crumbling infrastructure of the schools they attend. The carpet is filthy. There is no central air in most of the buildings. The bathrooms have no ventilation. The ceiling rains dust (asbestos?) The staff bathroom comprised of three stalls, one for disabilities, so the other two are so narrow a larger woman such as myself can’t turn around in them. The staff bathrooms are by the front office, so a quick trip to relieve oneself is impossible (we had two minute passing times). But this isn’t about my comfort or convenience. It’s about how students must feel, day in and day out, and how no matter the bulletin boards, posters, etc., they feel disrespected and marginalized every single day: the destruction of what others create is relentless. No bulletin board stays unripped. Well–okay –except for the HOPE(squared) one–interesting when students put up work there is less of a chance it’s destroyed.

If a building is old, make sure the students are given as much opportunity as possible to create cleaner, better, improved spaces. Work alongside them to create the space. The goal is space for them, their work, their ideas.

Guaranteed Viable Curriculum (GVC): I’m not going to spend too much time on this one because I might go insane. The district adopted the EL Education curriculum. The idea was to keep everyone within a two-week schedule, four novel studies per year. Lessons that require full week(s) would be scheduled for one or two days. Learning was rushed. Students in a constant state of confusion. I longed for the simple framework curriculum of my previous district and feel embarrassed for having any issues with it. A huge ‘be careful what you wish for’ moment. Academic freedom trampled, and no in-depth learning happening. The woeful lack of writing instruction is academic malpractice. But due to the GVC standing as a behemoth between me and my students, the reading and writing workshops suffered grave harm.

Make a curriculum framework for next year, and then continue to work with colleagues and district leaders for the best, most equitable access for all. (Since I’ll be teaching high school ELL, be patient with self, and enjoy this new challenge!)

Reading: Never having taught a whole-class novel before, and knowing the GVC included 4 (we got through 2), I immediately purchased A Novel Approach by Kate Roberts (which I highly recommend whether you teach whole novels or not). The best success I had once when I went rogue and used The Hate U Give by Angie Thomas paired with the mandated text, To Kill a Mockingbird. My schedule included two ELA classes, and three History/IRLA classes. We were given 1/2 hour for US History and 1/2 mandated IRLA time, to be used for silent reading, conferencing, and tracking students’ reading progress. There are a lot of positives about IRLA, but “leveled books” translates to “leveled readers” in the minds of students. Breaking down that concept that books are meant for burning questions and purpose, not for levels, was next to impossible. All of the time and energy spent reading Donalyn Miller, Pernille Ripp, (and more than I can name right now) felt put on hold.

However: I am not giving up. The cataloging of great reading resources is a passion project for me. #ProjectLit, #disrupttexts, #educolor, #decolonizeED, #NCTE, #IBPOC #writingproject are top search tags for powerful conversations about equity, anti-racist. Follow each woman who began Disrupt Texts. Follow @mrpranpatel. Follow @larryferlazzo. Follow @TheJLV And for love and inspiration, follow @MrsHallScholars (!) (I am following almost 3K on Twitter, so a shortcut to these and other amazing educators @mrskellylove)

Thanks @SonjaCherryPaul for asking a great question that’s generating excellent results. Folks, looking for short(ish), IBPOC #ownvoices short stories? Check out this thread. #DisruptTexts https://t.co/MBzqQ4RaQZ— Dr. Kim Parker (@TchKimPossible) June 8, 2019

Keep following those who help with curating excellent books!

Advice: start your own blog and keep these resources handy. Twitter and other social media sites become tangled and distorted.

Writing: There is little or no writing in the curriculum. No space. No time. Misunderstood. Things that worked in my “studio” space of creativity (workshop) withered on the vine this year. I am distraught. That’s all I can about this now.

Make a plan. A REAL plan for writing instruction. Guard it. Protect it. Fight for it. (And keep writing that book. There is space for it.) For me: keep writing and replenish and return to my writing life.

And keep articles like this within reach at all times: Principled Revolution in the Teaching of Writing" by Nicole Bordreau Smith"

I am feeling enthusiastic: as Mrs. Hall inspired me this morning, what we look forward to in the coming year is our love language for teaching! (And this is a great idea!)

https://platform.twitter.com/widgets.js

Saving Summer: Rethinking Themes, Essays, and Media

I’m about to do a dangerous thing: post a document long before it’s “ready.” It is not even close, and I think–that’s where it should be. A finished document would mean there is no room for growth or adaptation; it’s a sketch. Flipping my thinking around about the silo type of units, students would be better served if we took a gravitational, or centrifugal force idea. While we’re spinning, we stay connected and use metacognition to be cognizant of what draws us in. Choices are key, here, with a map for guidance. In essence, every UBD and essential questions demand a variety of genres and modes of texts. We think about big issues in a kaleidoscope way, not linear. I started thinking about units I’ve created in the past, and some of the theme topics, and came up with this document:

[embeddoc url=”https://mrskellylove.com/wp-content/uploads/2017/07/texts-and-media-playlist-2hzrw2w-wngihv.docx” download=”all” viewer=”microsoft” ]

https://drive.google.com/file/d/0ByKyQvl3l_F5QWxjM09NbzAyZjA/view?usp=sharing

Ethical ELA is a huge influencer, and sites such as

https://www.discoverartifacts.com/

https://www.commonlit.org/

Nothing should be off limits: essays, short stories, podcasts, films, novels, poetry, letters, texts, tweets, news, classics and modern re-tellings, pop culture, graphic novels, series: sources for texts and media are bordering on the infinite. If you can write it or read it, it belongs.

Oh, and for the curated list, a wonderful collection of essays that may come in handy:

https://thefutureisred.com/10-personal-essays-that-will-teach-you-how-to-write/

What big questions are ones you come back to again and again in your teaching? No matter how many times I watch Descendants, I see something new.

https://player.vimeo.com/video/8642276?portrait=0

Descendants from Goro Fujita on Vimeo.

 

The Power of Storytelling

Science is an art.
Science is an art.

Someday, maybe, I’ll work on my Doctorate, and I am fairly certain what my focus will be the power of storytelling. It’s been a subject I’ve researched for years. We are all narrative learners. I struggle with putting things in tidy boxes of informational versus narrative. I could make a case that all learning is information, or all learning is narrative. But it’s both.

And what makes us human, to me, is our need for a story. Perhaps elephants, dolphins, and whales tell their babies stories, and I know experience is certainly passed down. Unless of course, you’re an octopus–incredibly intelligent, but have no means of passing it along to the next generation. “Their knowledge dies with them.”

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In Newkirk’s book, Minds Made for Stories, he explores the question of how knowledge is developed. It’s a fantastic read and supports my own instincts about the power of storytelling when it comes to any content area.

But why is this–in the vernacular of our times–even a thing? I detect a bias here, and  ‘us versus them’ in the content area arenas.

Recently Wells Fargo caused outrage because of this ad campaign:

wells fargo

Because of public outcry, artists and actors protested and the ad campaign has been pulled.  (Why can’t we do that to a certain presidential nominee?) Clearly, Wells Fargo jumped on the STEM bandwagon and forgot to add the rogue branch of the acronym, “A” — for Arts. This push toward only mathematics and science is dangerous, but I don’t think it’s a cause for outrage necessarily. But it is a place for a conversation: what do we value? What do we support — financially, socially, and emotionally? And what do we want to be when we grow up? Is there a bias of brains? Why do we constantly misdirect the topic, continually focused on the myth of left versus right brains? These fallacious and hollow debates about skills versus content, lecture versus ‘guide on the side.’ Enough. This is not the conversation to focus on, and it’s a waste of everyone’s time.

From Knowing Stuff is Inseparable from Literacy: 

This simple fact — that knowing stuff is inseparable from being able to read stuff — is why great teaching will always be concerned with both skills and content. Sadly, since the majority of educators who implemented the Common Core State Standards did not read and reflect upon their introductory matter, it became popular (and fallacious) to declare that content isn’t what counts — skills are. In the CCSS era, there are no distinctions between science and social studies and English teachers anymore; we’re all reading teachers, right? And thus was won a great victory by champions of literacy everywhere!

Skills are important. But they are only one side of the story.

Here is the other side:

All we do as humans is based on a story we must tell. An adventure we seek, a problem to solve, our heart is breaking and we want to fix it. Someone is lost and we want to find them. Something or someone attacks our humanity and we want to slay the monster.

As you’re planning units, I urge you to look at your content through the lens of storytelling: what motivated the person to learn? What motivates you? What are your burning questions? 

Remember this is not a zero-sum game. We can be ballerina scientists and athletic botanists. If you want to talk more about ideas you have or thinking about doing something amazing with stories and science/math, I’m here.

https://ww2.kqed.org/mindshift/2016/05/26/14-books-that-connect-students-with-valuable-scientists-struggles/

 

https://oldbrainteacher.com/

 

A Model for Teacher Development: A Precursor for Change — Jackie Gernstein

 

Film Friday

 

 

What was the first movie you ever saw? What was the one that made you cry? Which one terrified you so much you nearly ran, or did run, out of the theatre, or kept the lights on all night? Films and books/texts are not in conflict with one another, they act as pillars on a strong brain and heart. Our instructional time is eroded by so many other agendas, however, that when we’re mentally drained, and the desire to just pop in a movie overwhelms us, our good admin remind us that students have plenty of time to guzzle large doses of media. So bear with me here: this isn’t about popping in Mulan when you have nothing else planned. (Although I absolve you: I love Mulan.) And I guess I can make a strong case for Lion King (Hamlet), Cinderella (good chance to explain about blended families and friction), the Little Mermaid and how tragic fairy tales Hans Christian Andersen wrote are sanitized by Disney, and why. I could go on. And we all know that seldom is the movie as good as the book. That’s because they’re different species from the same phylum. Those are grand discussions in and of themselves.

But this is about those little films that get us to understand themes. Ideas. Beliefs. Movements. I’ll try to post as many as I have collected here, but am sure to leave some out. If you find some good ones, please click on the post and add a comment.

Expanding Gender: Youth Out Front from Frameline Distribution on Vimeo.

Nuit Blanche from Arev Manoukian on Vimeo.

Descendants from Goro Fujita on Vimeo.

Pixar – One Man Band from Ricardo Pereira on Vimeo.

Toonocalypse from The 2D Workshop on Vimeo.

2016 OSCAR® Nominated Short Films – Live Action and select Animation from SHORTS HD on Vimeo.

The Boy with a Camera for a Face from Spencer Brown on Vimeo.

Lights Out – Who’s There Film Challenge (2013) from David F. Sandberg on Vimeo.

Parvati Saves the World, Act1 from Rattapallax on Vimeo.

Taking the Plunge from Taking The Plunge on Vimeo.

 

“The World Is As Big Or As Small As You Make It” | Sundance Institute from Sundance Institute on Vimeo.

Valley of Dolls from Fritz Schumann on Vimeo.

Confessions of an Idiom from Amanda Koh on Vimeo.

THE MONKEY’S PAW (2011) from Ricky Lewis Jr on Vimeo.

In the Beginning from Arthur Metcalf on Vimeo.

1982 from Gina Breslau on Vimeo.

Dust – Short film starring Alan Rickman & Jodie Whittaker from Jake Russell on Vimeo.

There’s a Man in the Woods from Jacob Streilein on Vimeo.

Ormie from Ormie Pig on Vimeo.

Heartless: The Story of the Tin Man from Whitestone Motion Pictures on Vimeo.

DreamGiver from Tyler Carter on Vimeo.

Mitología / Mythology from Rafita Films on Vimeo.

Short Film ‘The Black Hole’ from PHOTOPLAY FILMS on Vimeo.

Return of the Cicadas from motionkicker on Vimeo.

The Man Who Was Afraid of Falling from Joseph Wallace on Vimeo.

Slug Invasion from The Animation Workshop on Vimeo.

The Lost & Found Shop [film] from Caleb Slain on Vimeo.

Invention of Love (2010) – Animated Short Film from Bujang_Cadiak on Vimeo.

Chris Garneau – Dirty Night Clowns from ROCK*iT FiLMS on Vimeo.

VIVA LUCHA from Team Mighty on Vimeo.

Procrastination from Johnny Kelly on Vimeo.

 

http://www.theatlantic.com/video/iframe/496745/

Form follows function…

label stuff

 

This past week, and current week, I’m elbow-deep in crafting lessons, mini-units, and all good things in the PSWP ELA/SS CCSS course. Though much of it is a review for me, it’s how I learn–by relearning, adapting, and modifying instruction.

In May, I was reflecting on all that is required of me and instruction in any given moment, and the quality professional development I’ve sought and been offered. I do not turn down opportunities to learn and grow, and it’s hard for me to turn off my brain. I created a lesson plan template largely based on meeting those challenges: gradual release, learning targets, success criteria, performance tasks, the new teacher evaluation cycle (TPEP), and adding assessment and assessment reflection so I can have precise, informed conversations about learning. Next, I plan on creating a document to help track student information on specific standards. Yes, this is the stuff I dream about.

Now, the question will be, will I use it to its full capacity, or become so busy much gets lost in the flood? I’ve promised myself for some of the big concepts, yes–use it as a teacher reflection tool. I am a believer in strong prep work.

Question for my colleagues: what are must-haves on your lesson plan formats?

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