Summer Series of Saves #2024: dismantling the essay

I am unsure where the wheels fell off the bus this year, and I can’t pinpoint the moment—maybe I was trying to do too much, or maybe the students are still recovering from 2020, perhaps? (And also, as an aside, I went to look up prior posts about this, and WordPress has done this weird thing with some of my links. I shall deal with this later.) Some students went to my prinicipal and complained about a few things, one of them being I gave them “too many essays” to write. Now, some of these “essays” were focused on parts of an essay, trying new things, and quick writes. I told them time and again this is what they need to know how to do now and for the rest of their academic careers.

They took it personally.

One of the grand and perpetual expectations of we ELA teachers is we teach how to write essays, and there is no shortage of advice, materials, books, PD, from the creative to the formulaic, we have mentor texts, learning targets, dissection of the whole and constructing the deconstructed.

So what’s my plan for this year? Again, try to organize it in a way that students get it. I am focused on the success of a few students sprinkled throughout the day, from GenEd to Honors, who used the graphic organizers and materials I provided and pushed through them to truly get how they help and scaffold essay writing.

But moreoever, I am exhausted by the individuality of teaching: the whole-class instruction does not seem to be working, and there is no one cause or factor. Setting up partner groups immediately for workshop might be one fix to this– more on this later. (Thinking Dr. Catlin Tucker’s work on stations…). I have had great success with the Puget Sound Writing Project/National Writing Project’s workshop model for years, but this year…oof. Maybe it was all that time isolated from other humans?

The plan: this post is somewhat of a placeholder for my thoughts and a launch pad: next I’ll organize the calendar of what happens when, and why, for students. Stay tuned.

Essay List

Some other posts about essay writing:

2023 Summer Series of Saves: next year…

Thinking about next year.

Okay, I have reasons, okay? Okay?! At the end of the year, it occurred to me what a strange brand of English teacher I am. I’m not a red-Flair-pen, writing feedback kind of teacher that students 1. don’t read, 2. don’t understand, or 3. read, and then give up when they see 5/50 points. Yes, they rip it up.

Yes, I would, too.

I am an art-major-writer-reader-creator-collaborator-scholar-creative kind of teacher. (I hope that clears things up.)

But next year, I’m going to do better. And by better, I mean using the expertise I possess, using the rubrics the ELA department uses, and weaving together a substantial and formidable instructional practice. And I won’t ever have to use a red pen.

The ideas:

  • Existing Rubrics and deconstruct into single-focus rubrics
  • Existing rubrics: parse into mini lessons
  • Weekly Wednesday Writing
  • Writing Workshop
  • Composition Notebooks (there will be a follow-up post about these)
  • Tabulate and curate the resources — a living archive

Now, how I’m going to tabulate this information, I’m not really sure. I’m thinking I’ll set a date on the calendar that’s called “After things are cleaned up and tidy in the house, dedicate a notebook/binder to this, Kelly” day. Maybe July 7th would be a good day for this.

Essay, that’s what I say

These are a fraction of books about writing I have collected over the years.

Great conversations happening regarding writing and the teaching of writing — here are some of my current noticings/wonderings, and attempts at supporting students craft their writing lives.

Every student who asks, “How many sentences does it have to be?” has been exposed to either Jane Schaffer or another prescriptive writing curriculum. There is nothing inherently good or bad in Schaffer’s program: some need a paint-by-number mode of writing instruction, and the product serves the purposes. But we teachers, and I mean all teachers, will be forever stuck in the siloing of teaching writing poorly across content areas. And when I say “writing,” I don’t necessarily mean typing out lengthy tomes: writing can be many forms and avenues. Across content areas, teachers should focus on the Role of the writer, audience, the form, the topic, and strong word choices.

Here are some Sunday-morning-I’m-still-sleepy resources:

Moving to the comprehensive high school, I’m currently teaching two periods of 10th grade, one 9th grade honors ELA, (and yes, have already had a debate with one young student about the merits of the What It Says graphic organizer– my sweet summer child, I know you), and two periods of 9th grade ELA. And yes, after being somewhat scolded about how they’ve used Jane Schaffer forever, I had another deeper conversation with my evaluator about how it was okay that I looked and researched the materials, and then collaborate with my PLC about instructional methods. Cool, cool, I can do that. I totally can. And, I can also go back through my previous blog posts and share them again, along with other resources:

Again, this is just a fraction of resources, and it can be overwhelming. My instructional advice is to start with fostering students’ ideas; ultimately, this is what serves them and their creative growth. You may find a different path that meets your students’ needs, and that’s the joy of this process.

Dismantling Essays: essays in the wild

Resources and ideas about redefining the five paragraph essay.

I have broken every single one of these rules.

In my continuing effort to change how and why teachers approach essay writing, I’ve come across some amazing resources. One of the most discussed posts was one I shared, via Sarah Donovan, via Three Teachers Talk: Three Reasons to Stop Teaching The Five Paragraph Essay .

I am a huge fan of John Warren’s writing, Why They Can’t Write: I believe it should be required reading and professional development by every high school English and History teacher (and Science, Math, PE, Orchestra, Art, etc.) for one important reason: he provides a road map to where our students are headed. If the five-paragraph essay is the only path and scaffold to instruct students on organization, we have lost our why. So, this is not a hit on the five-paragraph essay structure as much as it is a call to look closely at the why of explaining organization. Continuing the curation of mentor texts and redefining what an essay looks like is of utmost important to me. I am constantly striving to reconsider, rethink, and reflect on the practice of teaching and learning about writing.

Some of my previous posts on this topic:

Essays Revisited:

And Shawna Coppola wrote Writing Redefined (and I’m kicking my lazy, procrastinating self for not getting to my own writing book) and provided this take on multimodal learning: https://threeteacherstalk.com/2020/03/04/the-power-of-multimodal-composition/ Multimodal is my thing. Here are some more mentor text examples of essays in the wild and using multimodal pathways to redefine what an essay is:

Interactive Projects:

https://projects.seattletimes.com/2020/femicide-juarez-mexico-border/

http://projects.seattletimes.com/

https://catalyst.blackburn.ac.uk/about/