Life and History (history is life)

A Toy Monkey That Escaped Nazi Germany And Reunited A Family

I began this project I called “dismantling the essay” or “disrupting the essay,” and it continues. Driving home today, I had NPR on, and the introduction to this story almost made me turn on my own music, and thank heavens I didn’t. Not sure what it was about the introduction that seemed kind of weak, but it is a beautiful story–first to listen to the voices on the radio, and then read the article with the accompanying pictures. I didn’t need the photographs to bring it to life, but it added another depth and emotion to Gert Berliner’s story.

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Gert Berliner, from the NPR story about his life

In the wake of a Wisconsin high school where students are photographed before prom (if you want to know more of their rationale or confusion for their jackassery, please click on this Twitter thread–it too is an excellent example of a dismantled essay):

My middle school provides thirty minutes a day for US History. The other thirty minutes is intended for the IRLA program. There is no direct connection between the IRLA prescribed program and US History unless I create one. So in thirty minutes a day, I am to take about 300 years and squeeze it until it bleeds. I am always looking for better, more efficient and ultimately more meaningful ways to use all the senses of students: reading, writing, thinking, discussing, listening–and learning. Learning context. Learning why it matters, and feel confident in their knowledge.

Today a student told me she was in another class and because she had learned the word “genocide” in mine she was confident to participate in a Socratic Seminar and felt like an expert. What we do matters. I am just lucky because she thought to tell me her anecdote about transferred knowledge. I and some other colleagues did a walkabout today, and nowhere on the checklist would have been a space for “student transferred knowledge from one class to another.” We don’t see those moments unless we are very, very lucky like I was today.

I am hoping that my work with helping students understand how essays work, how they support their voice and critical thinking will result from the curated mentor texts.

Some previous blog posts:

https://mrskellylove.com/2018/07/05/summer-series-of-saves-dismantling-the-essay-iii/

https://mrskellylove.com/2017/02/21/structure-series-essays-for-the-21st-century/

Here is the curated list so far.

There is still work to do, of course, and my curated efforts need refinement and reorganization.

However– I invite colleagues to please add to this curated content or make suggestions. The criteria are simple:

  1. Must be an essay in essence (organized, thesis/thematic threads)
  2. Must be presented in a structure that is multidimensional –doesn’t ‘feel’ like a five-paragraph static piece of writing.

Got ideas? Please share!

Summer Series of Saves: Disrupt the Essay, Continued. (IV)

Three examples of how an essay structure can be dismantled and put back together:

I. Chuck Wendig retells The Three Little Pigs: #literaryanalysis essay:

Chuck uses the medium of Twitter to take on a writing challenge and analyzing The Three Little Pigs and how it relates to capitalism.

II. This is America, Childish Gambino, Donald Glover – from Genius

Think how we co-construct meaning and share insight into art and music. Quotes and sections of these insights provide help and mentor texts for students.

https://genius.com/Childish-gambino-this-is-america-lyrics#

III. The Face in the Waves 

This is how a story can be told with imagery, compassion, and share the voices of those affected by tragedy and loss.

https://mrskellylove.com/wp-content/uploads/2022/05/430d5-face-in-the-waves.mov

Work in progress:

 

Saving Summer: More Good Things

Literary Analysis, Themes, and Essay Writing, Oh my!!

How did I not know about this? (probably because of PG-13 language: I’ll get permission slips, promise!)

ThugNotes is narrated by Sparky Sweets, Ph.D., and yes there is some language, but the plot summaries and analysis are epic. For a secondary audience, this modern version of CliffsNotes is helpful and entertaining. Since I’m teaching a unit on Lord of the Flies next year I am thankful for his analysis and insight.

Next: thinking about essays and writing structures differently:

An Essay Primer for Adults: Six Essay Types You Should Know by Lorraine Berry

http://www.signature-reads.com/2017/07/an-essay-primer-for-adults-6-essay-types-you-should-know/

Here they are to preserve and keep:

The linear narrative essay: This essay structure is self-explanatory. The story is told in a straightforward narrative, and is usually told in chronological order. Sometimes, there are flashbacks contained in the essay, but that doesn’t disrupt the forward motion of the narrative. One essay that may be of interest in the coming weeks as we approach the August 21 “Great American Eclipse” is Annie Dillard’s “Total Eclipse,” which is published in her collection, Teaching a Stone to Talk.

The triptych essay: Just as a triptych painting features three panels, so too does a triptych essay feature three separate sections that are not continuous with each other, but that may shed light on the other two parts. See “Triptych” by Samina Najmi, which was published in World Literature Today.

The collage essay: This type of essay features bits and pieces – vignettes – of prose that are collected together to form an essay. They often resemble poetry as the writing for a collage essay tends to be lyrical. One of my favorite collage essays is Sherman Alexie’s “Captivity,” which appeared in First Indian on the Moon.

The experimental essay: These essays seem to buck all known structures. One of the most unusual of these essays is “The Body” by Jenny Boully. The pages of the essay are blank – except for the footnotes, which are extensive. It turns out that the footnotes are the entire essay. “The Body” is characterized as a lyrical essay

The last two forms of essay that I wish to discuss are the “hermit crab” essay and the “braided” essay, and here I’d like to offer more exploration of two particular essays that are examples of them.

The hermit crab essay: In 1972, John McPhee wrote “The Search for Marvin Gardens,” and it was published in the New Yorker. He used the original game of “Monopoly” – the original American version that was based on the streets of Atlantic City, New Jersey – and he uses going around the board as the frame for the essay, making this a perfect example of a “hermit crab” essay.

In the essay, McPhee is playing a game of Monopoly but he is also recounting walking the streets of Atlantic City. The game is taking place at an international singles championship of Monopoly play, where it is possible for two skilled players to play an entire game in fewer than fifteen minutes.

McPhee intersperses the history of America in the details, but also how Atlantic City was the planned “invention” as a railroad terminus that would be a “bathing village.” In preliminary sketches, the village was labeled as an “Atlantic city,” and the name stuck. In the early 1930s, Charles B. Darrow took those early sketches of the city and based a game board on it.

So, as McPhee lands on each property or group of properties, he tells the story of each part of town. When McPhee’s piece lands him in jail, he uses it as an opportunity to visit the city jail, which in 1972 seemed to be chock-full of drug offenders. He also documents the “facade” aspect shared by resort towns. Once you travel off the beach-side main drag, you are in “the bulk of the city, and it looks like Metz in 1919, Cologne in 1944. Nothing has actually exploded. It is not bomb damage. It is deep and complex decay. Roofs are off. Bricks are scattered in the street.”

He walks these streets and sees long lines of people standing in line at the unemployment office. Newspapers in 2017 tell us that we have an “opioid crisis,” but a multiplicity of signs urging addicts to get help are present in Atlantic City in 1973 (perhaps another reminder that something doesn’t become a crisis until middle class white kids in the suburbs are dying).

McPhee walks through these neighborhoods looking for the one Monopoly property he can’t find: Marvin Gardens. No one with whom he speaks, those living in their bombed-out neighborhoods, has heard of it. It turns out that Marvin Gardens, “the ultimate out wash of Monopoly, is a citadel and sanctuary of the middle class.” It is a suburb within a suburb, what we might now refer to as a “gated community,” separated from the rest of Atlantic City and patrolled with a heavy police presence to keep the rest of the city out.

If you’ve been paying attention while reading, you realize that McPhee has used his hermit crab essay to write a critique of capitalism.

The braided essay: “The Fourth State of Matter,” by Jo Ann Beard is, I must confess, my favorite essay. It, too, was originally published in the New Yorker in 1996. Beard offers a braided essay – in which she is telling a number of stories that are all related to the time she spent on the editorial staff of a physics journal at the University of Iowa. Over the course of the essay, which begins with Beard’s poignant description of the daily routine she experiences as she cares for her aged, incontinent dog, the reader is braced in anticipation that the dog will die.