WIHWT: Instructions (oh, I really, really do wish I had written this…)

Instructions

by Neil Gaiman

Touch the wooden gate in the wall you never

saw before.

Say “please” before you open the latch,

go through,

walk down the path.

A red metal imp hangs from the green-painted

front door,

as a knocker,

do not touch it; it will bite your fingers.

Walk through the house. Take nothing. Eat

nothing.

However, if any creature tells you that it hungers,

feed it.

If it tells you that it is dirty,

clean it.

If it cries to you that it hurts,

if you can,

ease its pain.
From the back garden you will be able to see the

wild wood.

The deep well you walk past leads to Winter’s

realm;

there is another land at the bottom of it.

If you turn around here,

you can walk back, safely;

you will lose no face. I will think no less of you.
Once through the garden you will be in the

wood.

The trees are old. Eyes peer from the under-

growth.

Beneath a twisted oak sits an old woman. She

may ask for something;

give it to her. She

will point the way to the castle.

Inside it are three princesses.

Do not trust the youngest. Walk on.

In the clearing beyond the castle the twelve

months sit about a fire,

warming their feet, exchanging tales.

They may do favors for you, if you are polite.

You may pick strawberries in December’s frost.

Trust the wolves, but do not tell them where

you are going.

The river can be crossed by the ferry. The ferry-

man will take you.

(The answer to his question is this:

If he hands the oar to his passenger, he will be free to

leave the boat.

Only tell him this from a safe distance.)
If an eagle gives you a feather, keep it safe.

Remember: that giants sleep too soundly; that

witches are often betrayed by their appetites;

dragons have one soft spot, somewhere, always;

hearts can be well-hidden,

and you betray them with your tongue.
Do not be jealous of your sister.

Know that diamonds and roses

are as uncomfortable when they tumble from

one’s lips as toads and frogs:

colder, too, and sharper, and they cut.
Remember your name.

Do not lose hope — what you seek will be found.

Trust ghosts. Trust those that you have helped

to help you in their turn.

Trust dreams.

Trust your heart, and trust your story.

When you come back, return the way you came.

Favors will be returned, debts will be repaid.

Do not forget your manners.

Do not look back.

Ride the wise eagle (you shall not fall).

Ride the silver fish (you will not drown).

Ride the grey wolf (hold tightly to his fur).
There is a worm at the heart of the tower; that is

why it will not stand.
When you reach the little house, the place your

journey started,

you will recognize it, although it will seem

much smaller than you remember.

Walk up the path, and through the garden gate

you never saw before but once.

And then go home. Or make a home.

And rest.

http://www.endicott-studio.com/cofhs/cofinstr.html

Do the right thing.

I wasn’t sure I was going to write about this, so perhaps my colleagues, you will let me know your thoughts.

A new student transferred to my class a few weeks ago. Nothing unusual about this: we get new students all the time: current enrollment is over 850 students, 7&8th grade now. Just these past two weeks I’ve gotten two or three new students: shameful that I don’t know exactly? Yes. I agree. One of them has gang-related expulsion issues. I haven’t met her yet. Another has truancy issues. Haven’t met her yet either. Another quietly slipped in, barely said hello, and hasn’t said a word since. But I’m trying.

But one has made quite an impression on me. He’s engaging, outspoken, and takes up a lot of oxygen in the room. Not a problem. “Classroom Management” is one of those teacher catch-all phrases that can mean anything from “everyone has their head down and is doing their worksheets” to “the room isn’t on fire.”

He and I got off to perhaps a rocky start, not so much on my part: I let him know immediately how I expected the culture of my classroom to be, to feel, and even though he didn’t know me, he would have to believe in the actions of the other students that I have his best interest at heart, and to give me time, not judge me, but be respectful. At one point, I guess he was being disruptive, and I have my mother’s and grandmother’s “skill” of “resetting a room,” — just letting everyone know, right there and then, what is happening, what should stop happening, and where we are going: a student told the disruptive one, “Oh, Mrs. Love just put you in CHECK!”

Student decides he likes me–and if you teach, you know how critical this is to promote any learning. And if you teach at a  high-risk school, you know it’s as important as say, floors or oxygen. He is much taller than I am (I am almost 5’9″) and he greets me during passing time with a hearty side-hug and a “What up my N________!?”

There may be a different reaction from any given teacher. My reaction was, first, “Did he just say what I thought he said?” to , “Huh, better address that one soon!”

I wasn’t offended though. I know he meant it affectionately. The power of a word, owning it, saying it, is huge. But I would never consider, using this racial epithet in any context, unless it was a read aloud of Mice and Men, or Huckleberry Finn. And even then it would feel chalky in my mouth. I explained to this student the next morning (while he was being processed by another teacher for disruptions), about my views on this word, that I know he didn’t mean it to be disrespectful, but from my upbringing and values, couldn’t put a mere “pass” on it, because people died fighting for civil rights, and the dignity to be addressed as a human. If one person doesn’t have their rights, no one does.

But my little talk doesn’t make racism go away.

Fast forward to the Absolutely True read aloud. We get to the chapter where Junior talks about the rules of fisticuffs (try explaining that one) and the GIANT WHITE BOY’S most extreme racist joke*. And then try to explain why the joke is so offensive. Sherman Alexie first eases the reader into this with the use of the school’s Indian mascot. Some of the students smirk at this, but most do not. I stop and illustrate: “What if our school had a Mexican wearing a sombrero, taking a nap under a cactus?”  (Most Hispanic students laugh). Or, an African American mascot standing out in a cotton field? Or a overweight white lady wearing polyester pants with a big jar of mayonnaise?

The *joke is so offensive because it dehumanizes. We talked about why, when Junior punches the racist student, the student just looks hurt, and dismissive. Every student answered it was because the GIANT WHITE BOY was scared of Junior, or Junior was crazy. Not one of them saw that it was because the white kids saw Junior as less than human, less than worthy of his attention.

I won’t be hypocritical here either. I think it’s funny when in “Raising Arizona” a mean-spirited and ignorant character tells a off-color Polish joke to a Polish polish officer. I appreciate when humorists do crafted satire to show how ridiculous stereotypes can be. And how could I be mad when student sincerely greets me with his warmest version of hello?

It just means that I will take those opportunities to explain why. That’s the right thing to do.

Fish on Fridays.

During second period, everyday, like a call to prayer, are the morning announcements.

Having first period as my planning time this year means that by the time second period starts, that’s my first class of the day, and when the show really begins. The lunch menu is dutifully announced, and although I would much prefer to hear “Today’s lunch choices are a filet mignon with a mushroom wine sauce, and lemon meringue pie, alas, these are never the offerings. Today is Friday. There will be a fillet-of-fish sandwich (was that something that swam in the ocean at one point?) and clam chowder.

Now, I like really good clam chowder. This is not that. It’s gummy, gluey, and gooey.

But I’m not complaining about the soup: I am remarking on the fact that public school cafeterias still serve fish on Fridays, a tradition from my elementary school days (insert, Mrs. Love, you look like you’re 27! —thank you my silly and well-meaning students, thank you…) While being served  fish on Fridays, and I hated “fish” back then, not knowing what dungeness or Maryland crab feasts meant, or the ecstasy of lobster tails, shrimp, mahi mahi, etc., I asked my parents, “Why did the cafeteria serve fish on every single blazing Friday?” “It’s because Catholics don’t eat meat on Fridays.”

I’m not really sure to this day what we “were,” — I have a baptismal certificate from the Methodist church, and my paternal grandfather scoffed at me when I thought of changing to Episcopalian (my humble grandfather thought it was for “rich people”).  I know the Catholic traditions seemed completely mystfying at the time, and it wasn’t until college where a very dear friend took me to mass, where I awkwardly sat out the wine/wafer communion phase, that I had any exposure to this brand of faith.

Still really didn’t explain the fish thing.

Something about sacrifice, giving up something better as a punishment, etc. As far as I could tell, I was being forced to sacrifice and was being punished, too. Unfair.

Fast forward: What do we expect our students to compromise on, to ‘give up?’

Budgets are slashed. Nutrition is questionable. Resources are frayed.  And I’m not really sure why I’m writing about clam chowder. Is it a metaphor for ancient, antiquated school traditions that have no real or current relevance in our country today? What hold-overs do we live under that are unseen to us and to our students? (Trust me — they never once questioned why there is clam chowder and fish sandwiches every single Friday.)

I don’t know. It just struck me as odd, to honor one faith in a serving of fish and not necessarily others. Yes, there are “vegetarian” choices for those students whose faiths prevent them from eating anything with a face or family. Tolerance and cultural demands seem as distant as my plastic lunch tray with fish, too.

Something else that sparked my interest: “How to Get Into a Crowded High School?” http://kuow.org/program.php?id=22899

And the simple question: Why not make all schools as good as Garfield goes unanswered.

That’s tough to swallow.

WIHWT: Where can I get one of those?

“This,” said Galaad, “is the sword of Balmung, forged by Wayland Smith in the dawn times. Its twin is Flamberge. Who wears it is unconquerable in war, and invincible in battle. Who wears it is incapable of a cowardly act or an ignoble one. Set in its pommel is the sardonyx Bircone, which protects its possessor from poison slipped in wine or ale, and from the treachery of friends.”

“Chivalry” by Neil Gaiman

Writers Reading Writing Week.

No, I do not have hero-worship of Neil Gaiman. (Liar.)

Ever have one of those units of study that just globs along in the back of your mind? Well, after reading aloud this week* this thought inspired me: Why not create a mini-unit of writers reading their reading? I am constantly stressing to my students that writing is talking: and they can all do that. We are just beginning to really dig into the writer’s workshop protocols. I was asked two days’ ago what “writer’s workshop” model I use – I didn’t have a prescribed answer. I use the one from the Puget Sound Writing Project, part of the National Writing Project. It’s designed to create, first and foremost, a safe place for writers. I am so comfortable with it, I supposed, because of my fine art’s background. Throwing a painting in progress or sketch up on the wall for your peers to see is risky: I developed my diplomatic critiquing style from these days.

So: I need to throw this idea up on the wall and see if it sticks: Each day for two weeks (yes, there’s an assembly on Friday, earthquake drill, [not taken lightly – we do live in a dangerous geographical area] I will continue to read out loud, and have students listen to other writers reading out loud. We will continue to work on annotating text, and the text will be in conjunction with author’s voices. How would you approach this? Would you have them read the text cold, as a pre-assessment of comprehension, and check for their understanding after they hear the writer? I’m thinking Neil Gaiman reading Instructions would be especially good. (Wonder if I can find a version of him reading Chivalry, one of my favorite short stories? Or should I just put on black T-shirt and speak in a British accent?)

Ultimately, I want them to find their own voices. And since that is the big questions: “What are you trying to say, in your own words?”, they will write and then — speak.

Not quite sure what that rubric should matrix*, though.

What we say and feel doesn’t always fit in a box.

*Comments from students the past few weeks: This class is easy, it’s fun, do we have to go to our next class? I’m not trying to cause divisiveness; I just love reading and writing–dang, I love my job.

*Did I just make matrix into a verb? I am so confused.

WIHWT: What prompted this?


Treated you like a rusty blade
A throwaway from an open grave
Cut you loose from a chain gang
And let you go
And on the day you said it’s true
Some love holds, some gets used
Tried to tell you I never knew
It could be so sweet
Who could ever be so cruel,
Blame the devil for the things you do
It’s such a selfish way to lose
The way you lose these wasted blues
These wasted blues
Tell me that it’s nobody’s fault
Nobody’s fault
But my own
That it’s nobody’s fault
Nobody’s fault
But my own
When the moon is a counterfeit
Better find the one that fits
Better find the one that lights
The way for you
When the road is full of nails,
Garbage pails and darkened jails
And their tongues
Are full of heartless tales
That drain on you
Who would ever notice you
You fade into a shaded room
It’s such a selfish way to lose
The way you lose these wasted blues
These wasted blues
Tell me that it’s nobody’s fault

Nobody’s fault But my own
Tell me that it’s nobody’s fault
Nobody’s fault
But my own tell me that it’s nobody’s fault
Nobody’s fault
But my own tell me that it’s nobody’s fault
Nobody’s fault
But my own
Tell me that it’s nobody’s fault
Nobody’s fault
But my own
Tell me that it’s nobody’s fault
Nobody’s fault

Nobody’s Fault But My Own: Campbell/Beck

3:31

I wrote this post in my head yesterday, and now have a moment to give it its attention. (I am certain there are whole novels in my mind, if I could just drop them in a pensieve.)

Here’s the thing about this year; it is my fifth year of teaching. As my older son said this summer, just like in the fifth book of the Harry Potter series, it’s a long, exhaustive year, but a pivotal one for Potter’s narrative, as it is mine. It has been a year of change, surprises, curve balls, and the like, more so than normal. And one huge change is a choice I have made: I am going to put my family first for awhile.

Shocking, I know.

My own family really needs me. Over the years, they have supported my autopsy-esque turning myself inside out for work and career. I won’t say I am or was a workaholic, because to me that suggests a certain compulsiveness that overrides passion. I was (and am sure still am) very passionate about teaching. I am not sure if it’s erosion, dimensioned expectations, or regrouping, but after these years at the same tough middle school, and the two years of ‘teacher boot camp’ while earning my Masters, the summers of writing workshops, trainings, organizing, and yes…doing my National Boards last year (and having to redo Entry #1 again), I have put my family through a lot. I have put myself through a lot. I gained weight, didn’t play, and didn’t breathe.

In the past, I never understood those teachers who were so protective of their contractual day. I was always there with my hand up, willing to help, sponsoring say, the Anime Club (which I still miss), and spending hours cleaning my classroom, organizing lessons, filling out scope and sequence charts, and creating epically imaginative and engaging lessons. Saturdays? Just another chance for me to get the building key and come in a work for a few hours while my husband could handle home duties. (I probably shouldn’t say that laundry didn’t get done, or any other domestic chores -those were still mine; but he is a wonderful husband and father, and never once said to me “stay home.”)

A few teachers enjoy the matyrdom of sacrifice, while others simply relish the hours spent, unpaid, volunteering, with students to change the world. (Albeit many of these teachers do not have children of their own–not a judgment, just an observation.) I’m not sure where I fit in anymore.

This year, I cannot find the time for my family, myself, and the litany of demands, unless I take control over my day. Both my children are participating in music: one I drive in the morning, the other needs to be picked up in the afternoon. My husband reminds me that one reason I went into this field was so I could still ‘be a mom’ and have a job I loved too. I let that love imbalance me.

When I am teaching, my students know they are my priority. I see them. Yesterday a new student gave me an Orange Crush. For those of you who do not teach in tough, highly diverse schools, you may not “get” that the offering of food=love. My Samoan students call me  Mrs. Alofa (Love). (I apologize for the transliteration) and hold out sacks of Cheetos during reading time (I told them if they really love me, because I’ve lost weight, they won’t tempt me.) (And PLEASE – I did bring in some whole-grain, gluten free crackers I bought at Costco…)

Yesterday  they wanted me to continue reading The Absolutely True Diary of a Part-Time Indian by Sherman Alexie. (Yes, it’s rated PG13; I didn’t say the rough words out loud, and I have permission slips from their parents- calm down). I did read Chapter 2. It is the toughest thing I can read out loud. I cry, my words choke, and though many friends say I am a “pretty crier,” (whatever that means – I guess when my brown eyes well up, I look good?), my students see me turn myself inside-out. It’s a chapter about the futility of poverty. It’s about the death of a best friend. It’s about parents who want to give their child everything, but are weakened by their broken dreams. (I dare anyone to try to read that chapter out loud and not cry.) That level of emotion–they know I am honest with them, care about them, and do what it takes to ensure that their dreams aren’t wasted by doing everything I can to empower them: THIS IS WHY YOU READ. THIS IS WHY YOU LEARN, and TALK, and HOPE, and THINK.

And at the end of the day, I have chosen to not throw my own life on the pyre: it is not a choice bewteen the fruits of the land or the livestock. I don’t want to bear the mark of Cain. I just want to go home and make dinner.

So I need to go at 3:31. At least this year.

Postscript: Another acknowledgment to the betryal of teachers in our nation. We just want to work. We don’t want to be millionaires. We are taking nothing from you.

WIHWT: Tough read-alouds

“I wanted to run faster than the speed of sound, but nobody, no matter how much pain they’re in, can run that fast. So I heard the boom of my father’s rifle when he shot my best friend.

A bullet only costs about two cents, and anybody can afford that.”

From: The Absolutely True Diary of a Part-Time Indian by Sherman Alexie.

Not sure I can read that chapter aloud again.

http://www.nea.org/readacross

Por favor, empiesa a lear

I have said it once, I’ll say it again: I am at a distinct disadvantage being mono-lingual. Five or six years of French in high school and college barely left me with “Ou est la biblioteque?”

I love reminding my Spanish-speaking students that I am lost: asking a student today how do you say “Please read” in Spanish had them rolling on the floor laughing because I could not roll my R’s at the end of ‘lear’ as fluently as they (as fluently? Who am I kidding? More like, I think I just called your grandmother a donkey by mistake!)

With a bit more practice and patience I got it, and they were so proud of my success and their teaching skills. Just a reminder that sometimes showing how we (adults/teachers) make mistakes and take risks is so critical to building trust: and you know what? Once I said it well, they were justifiably proud. Gracias, estudiantes.

Postscript: http://radiolingua.com/shows/spanish/coffee-break-spanish/